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佐藤勝利（Sexy Zone）＆高橋海人（King & Prince）、ペイント制服と奇抜ヘアーのびっくりショット初解禁 - めるも - めるも
Here’s How Taylor Swift Should Re-Record Her First Six Albums - Rolling Stone
ニューロティカ、よしもと移籍第1弾アルバム - ナタリー
Stan Lee's Daughter Sides with Sony Over Disney in 'Spider-Man' Split - TMZ

佐藤勝利（Sexy Zone）＆高橋海人（King & Prince）、ペイント制服と奇抜ヘアーのびっくりショット初解禁 - めるも - めるも

Posted: 22 Aug 2019 03:48 PM PDT

佐藤勝利（Sexy Zone）＆高橋海人（King & Prince）、ペイント制服と奇抜ヘアーのびっくりショット初解禁 - めるも - めるも

佐藤勝利（Sexy Zone）主演、高橋海人（King & Prince）と共演する、2019年11月1日に全国公開となる映画『ブラック校則』の場面写真が初解禁となった。

本作は、クラスで一際存在感が無く空気のような存在ながら「ある出会い」からブラックな校則に"黙ってなんかいられない！"と立ち上がる、創楽（佐藤勝利）と、創楽の親友であり、いつも予測不能な行動で周囲を驚かせる中弥（高橋海人）による恋と友情の青春ストーリー。創楽＆中弥コンビが、ブラック校則に縛られていた1人の女子生徒と生徒たちの心をも解放するべく、奇想天外、ユニークな方法で戦う。

今回解禁となった場面写真は、創楽（佐藤勝利）と中弥（高橋海人）のふたりが、個性的なメッセージがペイントされた制服、そして奇抜なヘアースタイルで並ぶ、びっくりショットとなっている。

◎公開情報
映画『ブラック校則』
2019年11月1日（金）全国ロードショー
出演：佐藤勝利（Sexy Zone）　高橋海人（King & Prince）　モトーラ世理奈　田中樹（SixTONES／ジャニーズJr.）箭内夢菜　堀田真由　葵揚　水沢林太郎ほか
脚本：此元和津也　
監督：菅原伸太郎
企画製作：日本テレビ／ジェイ・ストーム　　
配給：松竹　
（C）2019日本テレビ／ジェイ・ストーム

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2019-08-22 22:00:00Z
https://news.merumo.ne.jp/article/genre/8944493

Here’s How Taylor Swift Should Re-Record Her First Six Albums - Rolling Stone

Posted: 22 Aug 2019 12:45 PM PDT

Here's How Taylor Swift Should Re-Record Her First Six Albums - Rolling Stone

Nearly two months after Scooter Braun's $300 million acquisition of Scott Borchetta's Big Machine Label Group was announced, Taylor Swift may have finally figured out what's better than revenge. The pop star claimed to CBS This Morning that she hopes to re-record her first six albums, circumventing Braun and Borchetta's ownership of the masters for her first six albums. On GMA, she elaborated on her plan, alleging that her contract states that she can start re-recording those albums in November 2020. (If she's allowed. According to TMZ, Big Machine may have a production clause that prevent her from reproducing versions of the song that are too close to the original version. The label did not reply to a request for comment.)

Re-recording early albums as rebellion against a current or former label is not uncommon. Def Leppard recorded "forgeries" of their old hits to block Universal from releasing their catalog online in hopes of coming to an agreement over compensation. Prince released re-recorded versions of select singles before re-gaining ownership of his masters. More recently, JoJo re-recorded her first two albums after being released from her original label, Blackground Records. Prior to re-recording those LPs, neither of the original albums were made available digitally.

Swift's back catalog still feels relatively new and has maintained popularity even as her sound has shifted from country to synth-pop. With that in mind, here are some ways we humbly suggest Swift could approach re-recording her pre-Lover music.

1. Make them competitive

The major downfall for Swift in this case could be that her new versions will not only heighten nostalgia for the originals but also make them more valuable. She has a fervent fandom on her side, but the final product of these re-recorded songs/albums will decide if Swift officially and literally gets the last word. The trick is figuring out if sticking close to the original versions or pivoting to something new will be the secret to beating Braun and Borchetta.

2. Lean into nostalgia

This is a big one for Taylor: She's built her career on songs written straight from her teen diaries, an aspect of her creative life that she's continued to emphasize to this day. (Swift included pages of her old journals in deluxe versions of Lover.) Going back and re-recording songs from earlier in her career is ripe with that Swift nostalgia factor, and capitalizing on that fact would generate interest for the new versions.

3. Guest appearances/duets

What if Taylor brought on Tim McGraw to do backup vocals for "Tim McGraw"? What if she dueted with Phoebe Bridgers, or Billie Eilish, or Neko Case, or Willie Nelson? Swift has unprecedented access to pretty much anyone in the industry, and if she wants to bring on new collaborators to her old songs, there's little that would stop her.

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4. Add alternate lyrics and new verses

Ever the meticulous songwriter, Swift has teased alternate lyrics, demos and takes for some of her songs. These new versions could mean that we could uncover the Swiftie Holy Grail: the never-heard 10-minute version of "All Too Well."

5. Reunite with past collaborators

Producer Nathan Chapman and Swift's former co-writer Liz Rose were integral parts of Swift's first three albums, and it would be a shame to not see the pair reunite with her now for this project. Whether she remains faithful to the original songs' execution or not, none of her other collaborators will understand the DNA of those tracks like they would. The same goes for her work with Max Martin and Jack Antonoff since she moved further away from country.

6. Adjust some lyrics that haven't aged well

Look, we've all been teens, though Swift's early lyrics still sound more mature than songs written by people twice her age. As she's gotten older, she's distanced herself from the problematic "Picture to Burn" line "I'll tell mine that you're gay," about a guy who cheated on her. Swift would now get an opportunity to re-imagine those early lyrics in a way that reflects the woman she is now.

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7. Swap genres

Past live shows have seen Swift updating some of her earlier songs to reflect her current pop style. (Take this 1989 arrangement of "Love Story.") It'd be a bad idea to do this for all the country Taylor songs – can you imagine hearing "Mean" with synths? – and wouldn't make sense to remix the already electronic-heavy songs from 1989 or Reputation. But throwing in a couple of pop versions of the older stuff, or stripped-down versions from the more recent albums, would incentivize fans to seek out the new recordings.

8. Creative release strategy

This is a no-brainer for Swift and her team, who execute some of the most involved and strategized album release plans in the music industry today. Instead of dropping a totally redone early album overnight, it would make sense for Swift to release a couple of redone songs – well-known singles like "Love Story" or "You Belong With Me" – before unveiling a full album. And the new album versions, if she decided to go that route, could play into the nostalgia factor by including conceptual tie-ins: Swift's audio diaries, lyric sheets, demos, etc.

9. Music videos for non-singles

Swift could up her promotional game even more with music videos for fan favorites that never got them the first time around. Yes, we would love to see an official "All Too Well" clip arrive on YouTube. But there's a plethora of options here: "Should've Said No," "You're Not Sorry," "Speak Now," "Treacherous," "New Romantics," "New Year's Day"…

10. Highlight vocals, above all else

One of Swift's biggest advantages is that her voice has never sounded better. Nearly two decades of performing in stadiums across the world have made her vocals stronger and a touch deeper, without totally affecting the tone. This is where her first few albums would benefit the most: a more seasoned performer now adding resonance and maturity to her teenage reflections. Think of this as the millennial version of Joni Mitchel revisiting her 1969 track "Both Sides, Now" on the 2000 album Both Sides Now.

2019-08-22 16:24:00Z
https://www.rollingstone.com/music/music-features/heres-how-taylor-swift-should-re-record-her-first-six-albums-874824/

ニューロティカ、よしもと移籍第1弾アルバム - ナタリー

Posted: 22 Aug 2019 11:18 AM PDT

ニューロティカ、よしもと移籍第1弾アルバム - ナタリー

ニューロティカがよしもとミュージック移籍第1弾となるアルバム（タイトル未定）を10月16日にリリースすることが決定した。

2018年10月に東京・Zepp Tokyoにて2000回目のライブを成功させ、今年で結成35周年を迎えるニューロティカ。彼らにとって前作「良いか悪いかは別として（笑）」以来約2年半ぶりのアルバムとなる今作は、現時点では詳細は明らかになっていないが、豪華なゲストアーティストの参加が予定されているという。

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2019-08-22 13:00:00Z
https://natalie.mu/music/news/344661

Stan Lee's Daughter Sides with Sony Over Disney in 'Spider-Man' Split - TMZ

Posted: 22 Aug 2019 04:45 AM PDT

Stan Lee's Daughter Sides with Sony Over Disney in 'Spider-Man' Split - TMZ

Exclusive

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The late Stan Lee -- who co-created 'Spider-Man' -- would've been happy over the news that Sony pumped the brakes on giving Disney control of his character ... so says his daughter.

Sony's move to limit control over 'Spider-Man' -- and potentially remove the superhero entirely from Disney's Marvel Comic Universe -- is one that was necessary and something Stan would have appreciated ... so says his daughter, Joan Celia (JC) Lee.

ICYMI ... reports surfaced Tuesday that Sony and Disney reached a standstill in negotiating Spidey's future under Disney's umbrella, including any 'Avengers' spin-offs/sequels. Insiders told Deadline it was all about money ... Disney wanted a 50/50 stake in 'Spider-Man'-related revenue, and also wanted Marvel honcho Kevin Feige to be the guiding hand.

Welp, Sony was reportedly not too down with that -- they own the rights to 'Spider-Man,' and until now had partnered with Disney to crank out these last few films. That's all over now.

As for how the Lees feel about it, JC tells us ... "Marvel and Disney seeking total control of my father's creations must be checked and balanced by others who, while still seeking to profit, have genuine respect for Stan Lee and his legacy." AKA ... cameos don't cut it.

She goes on ... "Whether it's Sony or someone else's, the continued evolution of Stan's characters and his legacy deserves multiple points of view."

"When my father died, no one from Marvel or Disney reached out to me. From day one, they have commoditized my father's work and never shown him or his legacy any respect or decency."

JC's parting words ... "In the end, no one could have treated my father worse than Marvel and Disney's executives."

Ouch!!!

2019-08-22 07:50:00Z
https://www.tmz.com/2019/08/22/stan-lee-daughter-sony-disney-spiderman-marvel/