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マンガ大賞2020は山口つばさ「ブルーピリオド」に決定 - ナタリー

Posted: 16 Mar 2020 12:15 AM PDT

マンガ大賞2020は山口つばさ「ブルーピリオド」に決定 - ナタリー

マンガ大賞2020の結果発表と授賞式が、本日3月16日に東京・ニッポン放送イマジンスタジオで行われた。大賞に選ばれたのは、山口つばさ「ブルーピリオド」。

「ブルーピリオド」は成績優秀かつスクールカースト上位の充実した毎日を送りながら、どこか空虚で焦燥感を感じて生きている男子高校生・矢口八虎が主人公。そんな八虎が絵を描くことの楽しさに目覚め、美しくも厳しい美術の世界に身を投じていく。美術大学を目指し、青春を燃やすスポコン受験物語だ。同作は月刊アフタヌーン(講談社)で連載されており、単行本は7巻が3月23日に発売。マンガ大賞2019では3位を受賞していた。

「マンガ大賞」とは書店員を中心とした有志による選考委員が、誰かに薦めたいと思う"今一番フレッシュなマンガ"を投票で決める賞。13回目となるマンガ大賞2020では、「2019年1月1日から12月31日までに単行本が発売された作品のうち、最大巻数が8巻まで」のマンガ作品を対象に、94人の選考員による投票が行われた。その上位12作品を「ノミネート作品」とし、その中から各選考員が1位から3位までを選定。ポイント制を集計してトップに輝いた作品を「マンガ大賞」としている。

そのほかマンガ大賞2020には、遠藤達哉「SPY×FAMILY」、雁須磨子「あした死ぬには、」、高松美咲「スキップとローファー」、桜井のりお「僕の心のヤバイやつ」、沙村広明「波よ聞いてくれ」、田島列島「水は海に向かって流れる」、田村由美「ミステリと言う勿れ」、藤本タツキ「チェンソーマン」、保谷伸「まくむすび」、ヤマシタトモコ「違国日記」、和山やま「夢中さ、きみに。」がノミネートされていた。なおコミックナタリーでは、授賞式の模様を追ってレポートする。

※3/16 15:24追記:2位以下の作品タイトルを追加しました。

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2020-03-16 06:22:19Z
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Singaporean actress Ase Wang's wedding postponed due to Covid-19 measures - The Straits Times

Posted: 15 Mar 2020 11:29 PM PDT

Wedding bells will not be ringing yet for Ase Wang.

The 38-year-old Singaporean actress has postponed her marriage registration and wedding plans due to the latest measures implemented in Singapore to control the spread of Covid-19.

Wang was initially planning to register her marriage to her fiance, American-born Chinese businessman Jon Lor, in Singapore on March 31. But in a statement released on Sunday (March 15), she said: "I regret to announce that my marriage and my wedding celebrations have to be delayed due to the current Covid-19 control measures, which have made the registration impossible."

These measures include the mandatory 14-day stay-home notice for people entering Singapore with recent travel notice to Asean countries. This includes Thailand, where the couple is currently based.

Wang's planned wedding celebrations in the Maldives will also be postponed in the light of the situation. She explained that this is because many of Lor's family members are based in the United States, which is also struggling to cope with Covid-19.

"The situation is indeed unfortunate but in these circumstances of love in the age of Covid-19, we all have to learn to be more resilient," Wang added.

Wang, who is based in Bangkok and Singapore, has appeared in Channel 5 drama series Spin and got engaged to Lor in February this year.

"Maybe this delay will win me another engagement ring," she jokingly said.

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長期春休みの「おうちアソビ」をアソビルが応援!人気キャラクターたちのオリジナル塗り絵やものづくり動画を無料で公開「アソビル春のお絵かきまつり」も同時スタート - PR TIMES

Posted: 15 Mar 2020 11:26 PM PDT

  • 「おうちアソビ」 無料提供コンテンツについて
■「アソビルモンスター」「ピッチュ」「クマーバとタブリス」のオリジナル塗り絵
アソビル公式サイトの記事、アソビル公式Twitterから無料でダウンロードできます。

提供先:アソビル公式記事   https://asobuild.com/news/13552
   :アソビル公式Twitter https://twitter.com/asobuild

【アソビルモンスター塗り絵】
モンスターは「アビル」「ルングー」「グーリエ」「エイプー」「プルッピー」「ピモン」の全部で6匹!

アビル塗り絵(見本)アビル塗り絵(見本)

アビル塗り絵アビル塗り絵

エイプー塗り絵(見本)エイプー塗り絵(見本)

エイプー塗り絵エイプー塗り絵

グーリエ塗り絵(見本)グーリエ塗り絵(見本)

グーリエ塗り絵グーリエ塗り絵

ルングー・クルッピー・ピモン塗り絵(見本)ルングー・クルッピー・ピモン塗り絵(見本)

ルングー・クルッピー・ピモン塗り絵ルングー・クルッピー・ピモン塗り絵


【ピッチュ塗り絵】

ピッチュ塗り絵(見本)ピッチュ塗り絵(見本)

ピッチュ塗り絵ピッチュ塗り絵

【クマーバとタブリス塗り絵】

クマーバとタブリス塗り絵(見本)クマーバとタブリス塗り絵(見本)

クマーバとタブリス塗り絵クマーバとタブリス塗り絵

■MONOTORY CHANNEL 
おうちでできるものづくり動画「毛糸でつくるねこちゃんぽんぽんまる。」

MONOTORYで人気のワークショップ「毛糸でつくるぽんぽんまるシリーズ」をおうちでも簡単にできるようアレンジして動画でご紹介しています。


視聴方法:アソビル公式Youtubeチャンネル内「MONOTORY CHANNEL」にて

  • 「アソビル春のお絵かきまつり」について

期間中に対象キャラクターのイラストを描いてSNS(Twitter、Instagram)にて指定のハッシュタグ「#アソビル春のお絵かきまつり」をつけて投稿すると、アソビルモンスターのオリジナルグッズをプレゼントいたします。また、ご応募いただいた方々の作品はアソビル館内にて展示される予定です。

参加方法:対象キャラクターのイラストを描いて「#アソビル春のお絵かきまつり」をつけてTwitterまたはInstagramにご投稿ください。展示期間中にご投稿いただいた投稿画面をアソビルの当展示会場で見せていただくと、アソビルモンスターのオリジナルグッズをプレゼントいたします。

【「アソビル春のお絵かきまつり」概要】
・応募対象期間:2020年3月16日(月)〜4月5日(日)
・対象キャラクター:アソビルモンスター、クマーバ、ピッチュ
※ご自身で自由に描いたものでも、無料公開されている塗り絵でも構いません
・参加方法:イラストにハッシュタグ「#アソビル春のお絵かきまつり」をつけてSNSに投稿するだけ
・展示期間:4月中を予定 ※詳細は公式記事にて後日発表
・展示場所:アソビル館内を予定
 

  • 参考情報

■「アソビルモンスター」とは

アソビルモンスターアソビルモンスター

アソビルの公式キャラクター。アビル、ルングー、グーリエ、エイプー、プルッピー、ピモンの6匹。アビルはアソビルの1Fインフォメーションカウンター前に出没する率が高い。

■「ピッチュ 」とは

ピッチュピッチュ

アソビル4F 屋内キッズパーク「PuChu!(プチュウ)」の公式キャラクター。プチュウ に住む宇宙人の子ども。キャラクターは、プチュウ のロゴも作成した世界的に注目されているグラフィックアーティストのVERDY氏が書き下ろしたデザインです。

■「クマーバチャンネル 」とは

クマーバチャンネルは、株式会社アカツキが提供しているお子さんがキャラクターと一緒に楽しく成長できるエンタメ知育チャンネルです。「未就学児の想像力と表現力を豊かにし、可能性を広げる」ことをテーマにコンテンツを制作しています。YouTubeで良質なコンテンツを配信することで、いつでもどこでも楽しみながら心身ともに成長できることを目指しています。

・YouTubeチャンネルURL:https://www.youtube.com/c/kumarba
・公式HP:https://kumarba.com
・「クマーバチャンネル」に関する問い合わせ先 担当:樋渡昇一郎(kuma-ba@aktsk.jp)

■株式会社アカツキ 会社概要

アカツキは、心が求める活動がみんなの幸せの原動力となる世界「A Heart Driven World.」をビジョンとしています。モバイルゲーム事業、リアルな体験を届けるライブエクスペリエンス事業を柱として、心が踊り、感動とつながりをもたらすエンターテインメントをグローバルに展開しています。私たち自身がワクワクしながら作ったものが誰かの心を動かし、一人ひとりの人生を豊かに色づけていくと信じて、これからも世界をカラフルに照らしてまいります。

URL:https://aktsk.jp/
設立:2010年6月
資本金:27億55百万円(2019年12月末時点)
代表者:代表取締役CEO 塩田元規
所在地:東京都品川区上大崎2-13-30 oak meguro 8階
事業内容:モバイルゲーム事業、ライブエクスペリエンス事業

 
■アソビル施設概要

アソビルとは、「遊べる駅近ビル」をコンセプトとした横浜駅みなみ東口通路直通の複合体験エンターテインメントビルです。横浜中央郵便局別館をリノベーションした屋上、地上4階〜地下1階建てのビルで、フロアごとにテーマの異なる様々な体験を提供いたします。

所在地:神奈川県横浜市西区高島2丁目14−9 アソビル
交通:横浜駅みなみ東口通路直通、横浜駅東口より徒歩2分
主要用途:体験型エンターテインメント施設、飲食店、事務所 等
施設面積:約11,900㎡(約3,600坪)
階数:地上4階、地下1階、屋上
開業日:2019年3月15日
営業時間:10:00〜22:00  ※フロア、店舗により異なる
WEBサイト:https://asobuild.com
施設運営者:株式会社アカツキライブエンターテインメント
※アソビルは「エキサイトよこはま22」の中で、開発想定エリア(オアシス計画エリア)に位置付けられ、現在事業化に向けた検討が行われております。今回、アカツキライブエンターテインメントは事業化に支障のない期間での暫定活用を予定しております。

■株式会社アカツキライブエンターテインメント会社概要

アカツキライブエンターテインメントは『世界をもっとカラフルに』をミッションに、五感を総動員できる「リアルな体験」にフォーカスしたライブエンターテインメント事業を展開しております。

URL:https://ale.tokyo/
設立:2013年9月(2017年12月21日に株式会社ASOBIBAから株式会社アカツキライブエンターテインメントに商号変更)
代表者:代表取締役CEO 香田哲朗
所在地:東京都品川区上大崎2-13-30 oak meguro 8階
事業内容:複合商業施設事業、サバイバルゲーム事業、イベント事業、パーティ事業、飲食店・ケータリング事業
 

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長期春休みの「おうちアソビ」をアソビルが応援!人気キャラクターたちのオリジナル塗り絵やものづくり動画を無料で公開「アソビル春のお絵かきまつり」も同時スタート - PR TIMES
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Actress alleges rape for TV role - Times of India

Posted: 15 Mar 2020 10:19 PM PDT

Pune: The Airport police on Saturday registered an offence against two men from Nagpur on the charge of raping an aspiring actress under the pretext of giving her a role in a TV serial.
The police have booked a Mumbai-based woman under the charges of abetment, who had lured the complainant (28) for the role and brought her to Pune. The actress said the trio assaulted her with a beer bottle when she had objected to the duo's advances on February 9 in a hotel room in Vimannagar.
The actress said in her complaint that she went to Mumbai as they had threatened to kill her. After getting medical treatment, she lodged an FIR on March 14. The actress said she met the woman in January in a mall in Mumbai. The woman told the complainant that she would help her bag a role in a serial. "She had told the complainant that she knew a producer and director. The woman told the complainant that the duo were in Pune and that she should meet them," an officer from the Airport police said.
On February 8, the officer said, the two women came to Pune and stayed in the hotel. The complainant shared the room with the woman. "The same day, the two men posing as producer and director interviewed the complainant and assured her a role in a serial," the officer said.
Later, the duo came to the complainant's room where they drank beer with the suspected woman, the officer said. "The woman said the duo demanded favours from her for the role. When she denied their offer, all three assaulted her," he said.

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Number Of COVID-19 Cases Likely Much Higher Than Tests Reveal | Meet The Press | NBC News - NBC News

Posted: 15 Mar 2020 09:49 PM PDT

[unable to retrieve full-text content]

  1. Number Of COVID-19 Cases Likely Much Higher Than Tests Reveal | Meet The Press | NBC News  NBC News
  2. Indonesia's Covid-19 Cases Rise to 117 as Cabinet Members Take Test for Coronavirus  Jakarta Globe
  3. Jakarta Closes 17 Tourist Destinations over Coronavirus  Tempo.co English
  4. COVID-19: Indonesia should get grip on reality and work with Singapore - The Jakarta Post  Jakarta Post
  5. Indonesia's COVID-19 tally exceeds 100 with 21 new confirmed cases - The Jakarta Post  Jakarta Post
  6. View Full coverage on Google News


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Olga Kurylenko Tests Positive for Coronavirus - Hollywood Reporter

Posted: 15 Mar 2020 09:22 PM PDT

The 'Quantum of Solace' star shared the news on Instagram, saying "I've actually been ill for almost a week now. Fever and fatigue are my main symptoms. Take care of yourself and do take this seriously!"

Ukrainian-born actress and model Olga Kurylenko revealed on Instagram Sunday that she has tested positive for coronavirus.

"Locked up at home after having tested positive for Coronavirus," she wrote for her 567,000 followers, posting a photo showing a view through a window of her home.

She added: "I've actually been ill for almost a week now. Fever and fatigue are my main symptoms. Take care of yourself and do take this seriously!"

Kurylenko joins a growing list of international entertainment figures who have contracted the coronavirus that is closing national borders and businesses the world over. Spouses Tom Hanks and Rita Wilson are among the most recognizable celebrities to have tested positive for the illness. In the executive ranks, Universal Music chairman and CEO Lucian Grainge was hospitalized for treatment of COVID-19 over the weekend. Canadian Prime Minister Justin Trudeau's wife has also tested positive for the new coronavirus.

Kurylenko remains best known for her starring performances in Bond flick Quantum of Solace and opposite Tom Cruise in the 2013 sci-fi film Oblivion. More recently she appeared in Armando Iannucci's historical satire The Death of Stalin and Terry Gilliam's The Man Who Killed Don Quixote with Adam Driver.

She recently wrapped production on The Bay Of Silence, a thriller from Paula van der Oest co-starring Claes Bang (The Square) and Brian Cox (Succession). 

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Singaporeans should avoid overseas travel, government says - TheChronicleHerald.ca

Posted: 15 Mar 2020 08:54 PM PDT

SINGAPORE (Reuters) - Singapore's health ministry on Sunday urged its citizens to defer all non-essential travel abroad in an unprecedented move for the Asian transport hub, as part of new measures to control the coronavirus that is fast spreading around the world.

Singapore will also tell all entering the country with recent travel history to the ASEAN group of nations, Japan, Switzerland or the United Kingdom to quarantine themselves at their place of residence for 14 days, the ministry added.

The Association of Southeast Asian Nations (ASEAN) comprises Indonesia, Malaysia, Philippines, Singapore, Thailand, Brunei, Laos, Myanmar, Cambodia and Vietnam.

Countries, such as the U.K. and Switzerland have "abandoned" any attempt at containing the spread of the infection, said Lawrence Wong, a minister who co-heads Singapore's virus fighting taskforce. 

"That's why we are more concerned that Singapore may well be exposed to a new wave of infections, which is potentially larger than what we have seen previously." 

The majority of new infections being reported in Singapore, an island nation with a population of 5.7 million, over the past few days have been people returning from overseas rather than local transmissions.

At least five cases of Singaporeans have been linked to a large religious gathering in Malaysia that was attended by more than 10,000 people from several countries.

Short-term visitors who are nationals of its Southeast Asian neighbors will also have to seek prior approval from the health ministry before their journey to prevent hospitals from being overwhelmed.

The restriction comes after a number of cases that entered Singapore with the specific purpose of seeking healthcare, the health ministry said. There have been two cases of Indonesians who had coronavirus symptoms at home before arriving in Singapore, known for its superior healthcare facilities.

The measures will be reviewed after a month. They will not apply to sea and land crossings with Malaysia, which will have separate precautions. Wong said 300,000 people a day move across the land checkpoints with Malaysia.

The Asian travel hub has previously announced bans on visitors from several coronavirus-hit countries, including China, Italy and France.

Singapore has won international praise for its painstaking onslaught on the virus since it initially emerged with one of the highest tallies of infections outside China. But other nations have since outpaced it.

Singapore has reported 212 infections, but no fatalities. Globally, more than 150,000 people have been infected while over 5,800 have died, a Reuters tally shows.

(Reporting by Aradhana Aravindan; Editing by Himani Sarkar and Alexandra Hudson)

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Jakarta limits food sales in retail stores to avoid panic buying - ANTARA

Posted: 15 Mar 2020 07:56 PM PDT

We couldn't decide this restriction on our own, it must be consulted with the head of the national disaster mitigation agency (BNPB)

Jakarta (ANTARA) - Governor of Jakarta Anies Baswedan on Sunday said the provincial government has decided to limit food sales in retail stores to avoid panic buying amid the full-alert status of COVID-19 pandemic.

"The association of retailers today have imposed limits on food sales to control panic buying which could also disrupt market's stability. We have already had an agreement (with the association)," Baswedan said in the Jakarta City Hall.

The curb, he added, will be effective this week, while calling people to only visit retail/department store when it is necessary.

"Allhamdulilah (all praise be to Allah), Jakarta's food stocks are secured. According to Bulog (state logistic agency), we have at least 320,000 tons of rice stored in the warehouses. It could last for the next two months," Baswedan remarked.

Amid the surge in the number of COVID-19 cases over the past week, the Jakarta provincial government has suggested the Indonesian government to restrict in-an-out access to the country's capital city.

"We couldn't decide this restriction on our own, it must be consulted with the head of the national disaster mitigation agency (BNPB)," he added.

Related news: Jokowi and his ministers undergo COVID-19 tests on Sunday

Related news: Eight Indonesians test positive for COVID-19 in Singapore

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バンダイナムコ組織再編 「ガンダム」「アイマス」IP単位で展開 - 日経クロストレンド

Posted: 15 Mar 2020 06:56 PM PDT

キャラクターなどの知的財産を活用したIP軸戦略を推し進めるバンダイナムコエンターテインメント(BNE)。グループのアニメ制作会社サンライズで『機動戦士ガンダム』関連プロジェクトをけん引し、2019年4月に同社の社長に就任した宮河恭夫氏は「2020年、エンターテインメントの世界にはゲーム、映像などの枠を超えた大きな変化が訪れる」と語る。

バンダイナムコエンターテインメントの宮河恭夫社長

バンダイナムコエンターテインメントの宮河恭夫社長

――BNEにとって、2019年はどういう1年でしたか?

宮河恭夫氏(以下、宮河氏) 18年から、エンターテインメントの世界は大きく変わる。そんな気配を感じるようになりました。そこで、我々もどう変わっていけばいいのか、ビジネスをどう維持拡大すればいいのかと考え、準備をしていたのが19年です。

――変化するエンターテインメントに対する準備とは、具体的にどのような?

宮河氏 クラウドはすでに一般化し、5Gなど新しい技術も登場したことで、流通配信が変わったのはもちろん、ゲーム、映像といったジャンルも境目が曖昧になってくるなど、エンターテインメントそのものが変わりつつあります。そういう状況の中で我々は本当の意味で消費者目線に立っているんだろうか、そして本当にグローバル化しているんだろうか、というところをすごく考えました。

 例えばあるイベントで『ドラゴンボール』のブースがあったとして、ゲーム、映像、フィギュアと事業部ごとにバラバラにブースが設置されていたんですね。これはダメだろうと。ドラゴンボールが好きな人は、同じ場所でゲームも映像もフィギュアも見たいはずですから。今は、ようやくIPでくくり、同じブースで『ドラゴンボール』のゲーム、映像、フィギュアに触れることができるようになりました。消費者目線というのはつまりそういうことです。

 20年はこの動きを組織にも広げます。IPでくくる。これがバンダイナムコグループで推すIP軸戦略なんです。これまで家庭用ゲーム、モバイルコンテンツ、ライブ/イベントなどで分けていた事業部をIPでくくる組織改編を進めています。

ジャンル縛りでは出口は広がらない

――組織を『ガンダム』『アイドルマスター』といったIPで分けるというのは、かなり大きな改編ですね。どんなメリットがあるんでしょうか?

宮河氏 確かに、現場には少なからず混乱もあるでしょうね(笑)。でも結局、おのおのがプラットフォーム縛り、ジャンル縛りでゲームだけ、映像だけやっていては、出口が広がらない。

 IPで組織をつくることによって、例えば『アイドルマスター』だけに、あるいは『ドラゴンボール』だけに注力できるようになる。1つのIPに注力して、ゲームもやれば映像もやるしライブもやるということは、とても重要だと思います。

 かつて僕自身が『ガンダム』のさまざまなプロジェクトに携わって、それこそゲーム、映像、ガンプラ、そしてガンダム立像までやった。その経験からすると、そこで初めて知ることもあって、ビジネスの幅も広がるわけです。とても大事だと思いますね。

画像上がスマートフォン向けゲームアプリケーションの『アイドルマスター ミリオンライブ! シアターデイズ』、中が家庭用ゲームの新作『アイドルマスター スターリット シーズン』、そして下が19年にナゴヤドームで開催された『アイドルマスターシンデレラガールズ』のライブ。今後は1つのIPを同じチームが手掛けることになるという

画像上がスマートフォン向けゲームアプリケーションの『アイドルマスター ミリオンライブ! シアターデイズ』、中が家庭用ゲームの新作『アイドルマスター スターリット シーズン』、そして下が19年にナゴヤドームで開催された『アイドルマスターシンデレラガールズ』のライブ。今後は1つのIPを同じチームが手掛けることになるという

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Actress Toni Collette to self-isolate for 14 days as she jets into Sydney Airport wearing a mask - Daily Mail

Posted: 15 Mar 2020 06:29 PM PDT

Actress Toni Collette to self-isolate for 14 days as she jets into Sydney Airport wearing a surgical mask amid the Australian government's new rules for international arrivals

  • All international arrivals into Australia will be forced to self-isolate for two weeks
  • New rules around self-isolation came into force from midnight on March 16 
  • Coronavirus symptoms: what are they and should you see a doctor?

Australian actress Toni Collette, 47, will be forced to self-isolate for 14 days after flying into Sydney's International Airport on Monday, March 16.

Australian Prime Minister Scott Morrison announced the Australian government's new rules around self-isolation on Sunday, which came into effect at 12AM Monday.  

Looking cautious as she walked through the terminal, Toni was seen wearing a surgical mask and holding what appeared to be a coronavirus (COVID-19) information pamphlet with the government's insignia.

Actress Toni Collette, 47, to self-isolate for 14 days after jetting into Sydney Airport wearing a surgical mask on Monday as the Australian government's new rules for international arrivals kicks in amid coronavirus pandemic

Actress Toni Collette, 47, to self-isolate for 14 days after jetting into Sydney Airport wearing a surgical mask on Monday as the Australian government's new rules for international arrivals kicks in amid coronavirus pandemic

In the past month, the Muriel's Wedding star has been filming her latest project Nightmare Alley in Canada and also attended the Berlin Film Festival in Germany.

Toni kept warm in a black and white striped long-sleeve T-shirt and loose black trousers, as she slung a khaki-green coat with fur trim over one arm.  

She went makeup free for the long-haul flight, and appeared to take health precautions by covering most of her face with a stylish surgical mask.

The actress pulled one suitcase behind her, while an unmasked airline staff appeared to assist Toni by pushing a full luggage trolley alongside her. 

Keeping informed? Looking cautious as she walked through the terminal, Toni was seen wearing a surgical mask and holding what appeared to be a coronavirus (COVID-19) information pamphlet with the government's insignia on its letterhead

Keeping informed? Looking cautious as she walked through the terminal, Toni was seen wearing a surgical mask and holding what appeared to be a coronavirus (COVID-19) information pamphlet with the government's insignia on its letterhead

Shocked? Australian Prime Minister Scott Morrison announced the Australian government's new rules around self-isolation on Sunday - possibly while Toni was in transit - which came into effect at 12AM Monday

Shocked? Australian Prime Minister Scott Morrison announced the Australian government's new rules around self-isolation on Sunday - possibly while Toni was in transit - which came into effect at 12AM Monday

In Australia, there have been up to 298 confirmed cases of coronavirus, including five deaths

In Australia, there have been up to 298 confirmed cases of coronavirus, including five deaths

On home soil: Toni's return home to Australia comes after filming for Guillermo del Toro's latest horror Nightmare Alley was suspended indefinitely on Friday
On home soil: Toni's return home to Australia comes after filming for Guillermo del Toro's latest horror Nightmare Alley was suspended indefinitely on Friday

On home soil: Toni's return home to Australia comes after filming for Guillermo del Toro's latest horror Nightmare Alley was suspended indefinitely on Friday

Toni's return home to Australia comes after filming for Guillermo del Toro's latest horror Nightmare Alley was suspended indefinitely on Friday. 

She appears in the film alongside Bradley Cooper, Cate Blanchett and Willem Dafoe.

Disney made the decision to halt nearly all its live-action productions during the global pandemic, including 20th Century and Searchlight projects, according to IndieWire

Nightmare Alley has no been assigned a release date, but there were hopes the film would be ready in time for Halloween and the upcoming awards season. 

There have been no confirmed cases of COVID-19 on any Disney productions. 

Smartly dressed: The Muriel's Wedding star kept warm in a black and white striped long-sleeve T-shirt and loose black trousers, as she slung a khaki-green coat with fur trim over one arm

Smartly dressed: The Muriel's Wedding star kept warm in a black and white striped long-sleeve T-shirt and loose black trousers, as she slung a khaki-green coat with fur trim over one arm

Not taking any chances: Toni went makeup free for the flight with a stylish surgical mask covering most of her face

Not taking any chances: Toni went makeup free for the flight with a stylish surgical mask covering most of her face

Toni will now be forced to spend two weeks in self-isolation, after Prime Minister Scott Morrison announced the government's new rules on international arrivals. 

He also announced cruise ships will be banned from docking in Australian ports for at least 30 days.

The drastic measures come as the number of confirmed cases in Australia climbs to almost 300. Five people have died from the illness across the nation, so far.

Coming home: The jet-setter has been spotted in filming her latest film Nightmare Alley in Canada and attending the Berlin Film Festival in Germany over the last month

Coming home: The jet-setter has been spotted in filming her latest film Nightmare Alley in Canada and attending the Berlin Film Festival in Germany over the last month 

Stay home or be fined! Penalties for not self-isolating will be determined separately by each state and territory - with Queensland claiming fines could be $13,000 for people for defy the restrictions issues by the government
Stay home or be fined! Penalties for not self-isolating will be determined separately by each state and territory - with Queensland claiming fines could be $13,000 for people for defy the restrictions issues by the government

 Stay home or be fined! Penalties for not self-isolating will be determined separately by each state and territory - with Queensland claiming fines could be $13,000 for people for defy the restrictions issues by the government

The forced isolation for international arrivals comes after New Zealand imposed the same restrictions last week.

Penalties for not self-isolating will be determined separately by each state and territory.

The NSW premier, Gladys Berejiklian, confirmed the state's Public Health Act had provisions that would enable the government to enforce the self-isolation requirements. 

On Sunday, she revealed police had already been involved in one case where someone had not adhered to self-isolation when advised to.  

Meanwhile, the Queensland premier, Annastacia Palaszczuk, has said people caught not complying to the self-isolation rules could be fined $13,000.  

In other countries, penalties have been announced as high as $50,000 for those who break self-isolation rules.  

Now back in Australia, Toni will now face two weeks of self-isolation, after Scott Morrison announced the new rules around self-isolation on Sunday, which were enforced from midnight

Now back in Australia, Toni will now face two weeks of self-isolation, after Scott Morrison announced the new rules around self-isolation on Sunday, which were enforced from midnight

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March 15, 2020 at 06:24PM
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The Tragedy of Celebrity in Anne Enright’s “Actress” - The New Yorker

Posted: 15 Mar 2020 06:29 PM PDT

Anne Enright
Enright's latest narrator must reckon with her mother's celebrity.Illustration by Anja Slibar

Partway through "Actress" (W. W. Norton), Anne Enright's captivating seventh novel, the narrator, Norah, advances a theory about her mother's rise to fame. Katherine O'Dell, who died at the age of fifty-eight, the same age her daughter is now, was a grande dame of the Irish theatre. Her four-decade-long career, which began in the nineteen-forties, brought her to Broadway, to Hollywood, to avant-garde productions of Bertolt Brecht and Samuel Beckett. This ascendance, Norah insists, was instantaneous. "A star is born not made," she aphorizes. "Whatever a star has, they had it all along."

This notion has a charming simplicity. In the face of celebrity's special incandescence, perhaps there is no need for an origin story of mundanities like talent and hard work. But these days the taxonomy of the famous has been expanding ever downward (we have a Z-list now), and Norah's formulation collapses under scrutiny. Of course stars are made: it takes connections or coincidences or both to find your way to the top—and publicity to stay there. This is part of why we have always found celebrities so transfixing. "The whole media construction of stars encourages us to think in terms of 'really,' " Richard Dyer wrote in "Heavenly Bodies: Film Stars and Society," his classic study of celebrity, from 1986. "Really" as in, What is she really like? It's the simultaneity of constructed persona and real person that draws us in.

For Norah, this paradox persists even twenty-five years after her mother's death. A married novelist with two grown children—that is, with stories of her own—she is still drawn to the story of Katherine O'Dell's making. She isn't the only one: Norah gets an e-mail, and then a visit, from a young doctoral student who is writing a dissertation that will offer her view of what Katherine was really like. The student promises to engage with the actress's "radical subjectivity," to "de-iconise her and show her as an agent in the world." She wants to know about things like Katherine's "sexual style."

Norah doesn't want to think about these things; she suspects that they say more about the student than they do about Katherine O'Dell. If fame is a mirror, for Norah the task of parsing resemblance is especially complicated. Hours after the student leaves, Norah is still sulking about the cannibalization of her mother's story. Her husband, no longer able to mask his irritation, asks, "Why don't you write it yourself?" Norah, who has published five novels, has yet to write the book she "needed to write," the one "that was shouting to be written." The following morning, she buys a ticket to London, where Katherine was born, and begins her accounting.

Enright, who is Irish, is drawn to stories about troubled families. In "The Gathering" (2007), her fourth novel, which won the Man Booker Prize, the restless narrator returns home for her brother's wake and tries to make sense of his suicide. "The Green Road" (2015) tells of the Madigan clan, their fortunes and misfortunes over the course of three decades. At the center of these households are mothers who are headstrong, capricious, impossible to please. (In both books, a daughter gives her mother an expensive scarf, only to be cruelly rebuffed.)

Norah and Katherine form another tragic mother-daughter pair—their tragedy heightened by their proximity to the stage. We are told from the start that Katherine's drama will end in a mental institution, after a strange and salacious incident in which she shoots a well-known producer in the foot. And yet Katherine is also the heroine of Norah's story; the two are close, loving, in a way that Enright's other mother-daughter pairs are not. "I want to think that nothing between us two ever went wrong," Norah says. They sit together on the sofa for whole evenings at a time. "She put a cushion on her lap for my head," Norah recalls, "and we smoked from the same pack, as though smoking were some kind of occupation." Katherine travels often, and her reunions with her daughter are "astounding, joyous affairs, with dancing and presents."

But Norah can't be sure where the actress ends and her mother begins. Katherine, she says, was a star "not just on screen or on the stage, but at the breakfast table also." The scene at home, as Norah describes it, has the clichéd perfection of a movie set: "The sun is coming through the window, the smoke from her cigarette rises and twists in an elegant, double strand." Her mother makes toast with marmalade, then takes three, maybe four bites. To signal that she has finished, she does a "little wavy-over thing" with her hand. Afterward, she might pick up the receiver of the beige wall-mounted phone, or natter on to young Norah, or to the ceiling, or to the dog waiting under the table for crumbs. There is always an audience. When Norah is thirteen, her grandfather dies, and Katherine breaks the news to her "like a good mother," caressing her hair and asking if she's O.K. "She did it all so perfectly," Norah says. "I did not think, for a single second, that she might adore him the way that I adored her." If Katherine was only playing the role of parent, who was she—really?

Katherine O'Dell, we are told, made her first appearance onstage at the age of ten. She played a crocus. When, in 1939, the war came to England, her parents—successful but itinerant stage actors—moved the family to Ireland. Eight years later, Katherine was back in London, débuting in a play in the West End. The show was a wild success. The following year, now in New York, she was reborn as an Irishwoman. Her accent, like her bottle-red hair and the apostrophe in her name, was part of a carefully constructed fake. It was her agent's idea. "You are in America," he told her. "You can be anything you want to be."

If the story of Katherine's rise contains at least some element of mystery, the story of her decline is relatively straightforward. Like the careers of countless actresses, its arc has everything to do with age, and, of course, with sexism. "In those days, when a woman hit thirty she went home and shut the door," Norah says. Katherine stars in a hit film in L.A., but within a year she is pregnant out of wedlock and forced to retreat from the public eye. She gives birth to Norah in Brooklyn, then travels incognito with her daughter back to Ireland, where the rest of her career will take place on the stage. (Norah is never told who her father is. Compared to the story of Katherine's rise, the question of her origins strikes Norah as uninteresting.) Katherine discovers that her fame and desirability have already peaked. She is only twenty-six.

The mother's life is unravelling just as the daughter's is taking shape. As Norah chronicles Katherine's experiences, we learn, intermittently, of her own. She writes about unremarkable boyfriends and true loves, about the trauma of sexual violence and the boredom of middle-aged marriage. The scenes spool ahead into the future and back into the past: she grows up in Dublin, buys a house by the sea, can't afford to heat it. The voice Enright conjures for Norah is lissome and intimate. She has an eye for the unexpected and exacting image: the British Embassy in 1972, days after Bloody Sunday, "the roof just a few blackened beams against a wet sky"; the funeral of her mother's longtime housekeeper, in the mid-nineties, the family dressed in coats of "the same lilac-coloured polyester." These images are associative and digressive, the way memory is. The story is easy to follow but difficult to reconstruct. But that may be part of Enright's point. Making a narrative out of the inchoate past inevitably entails selection—and perhaps some level of deception.

"You can leave now. I really just needed you to unzip me."
Cartoon by Ali Solomon

In charging her narrator with the task of excavation, Enright revisits the premise she used in "The Gathering." Veronica, an affluent homemaker, tries to reconstruct her brother's life after his suicide; like Norah, she wants to write it all down. She thinks she knows when things began to go wrong for him, but to explain it she needs to look further back, to before either of them was born. Veronica's story is made up mostly of what she cannot know; she reimagines what did take place or invents what might have. Even events from her lifetime are cast in doubt. Of the turning point she has identified in her brother's life, she admits, "I am not sure if it really did happen."

But Norah is a different kind of narrator, her mother a different kind of subject. Fame leaves a material trail in its wake. Norah visits the National Library to review her mother's papers, cites photographs and newspaper clippings and Pathé newsreels. But documentary evidence contains its own fictions. Norah's twenty-first-birthday party is preserved in a photograph in a newspaper spread: mother and daughter in a jolly crowd, leaning in around a cake. Images like these purport to be a record of spontaneity; we call them candids. But "it was all staged," Norah says. Still, she finds that only when her mother is frozen in time can she bring her into focus. "The picture was such a fake," she says. "But the years have made it somehow true."

Are we reading the book that Norah's husband urged her to claim as her own? Enright doesn't say: the only evidence of a completed work is the pages in our hands. Every so often, the novel shifts into the second person. The addressee is Norah's husband. In these sections, the mood is warm and tender, and Enright shows herself to be a careful observer of long-term monogamy—its uneven tempo, its alternating major and minor keys. "Even though I have dragged you from your dream, you are pleased to see me there," Norah says, of waking her husband up in the morning. "It feels like forgiveness, every time."

But her view of marriage is also unvarnished. "There were times," she says, "whole years, perhaps—when you annoyed me, in one way or another." She and her husband have blamed each other for their respective failures, witnessed each other's bodies sag with age. It's a candor that Norah struggles to seize when describing her relationship with her mother, and its effect is to render marital love more real and, in turn, all the more profound. With her husband she has built a relationship grounded in authenticity, a kind of anti-celebrity experience.

"Actress" moves toward the moment of Katherine's desperate assault. The man she shoots is the "movie impresario" Boyd O'Neill; he survives, though he never quite heals. She has been working on a script, but when she offers it to O'Neill, he sends it off to be rewritten, cutting her out of the process. The aftermath of the crime has the air of another performance. Dragged away by the police, Katherine speaks in a "pretend language for two hours, interspersed with some phrases and slogans used by Republican elements." Once she has been found guilty and sent to an asylum, the real Katherine seems to disappear completely, as if she never existed at all. "Most of the time," Norah writes, "she was—I don't know how to explain it—only incidentally my mother."

It's impossible not to observe this episode's resonances with the broader reckoning taking place around issues of gendered power and powerlessness. In a recent essay on the men of #MeToo, Enright wrote of friends who, in conversations about inappropriate encounters with influential men, especially at work, spoke of feeling that "what was violated was not their body, but their gift." Katherine, it seems, might say something similar of her experiences, in which her talent and ambition were marred by men more powerful than she was. But it would also be a mistake to reduce the novel to a parable of women's empowerment by way of revenge. Being treated badly by men does not, in Enright's telling, grant women carte blanche to mete out justice.

The doctoral student who visits Norah stokes her rage in part because she wants to make Katherine into a feminist hero. What her mother did to O'Neill was "very wrong," Norah says. "She turned him into a fantasy, and then she attacked this fantasy," blaming him for a lifetime's worth of injuries. For Norah, who, above all, treasures authenticity, perhaps this is an essential crime: "Boyd was a real person, made of flesh and blood," Norah says. Was her mother too fake to understand?

Toward the end of the novel, Norah has a recurring dream. In it, she finds a storage unit with her "mother's 'performance,' whatever that might mean" inside. It contains autographed paraphernalia and many awards, "big lumps of glass or metal, heavy and often pointed, one of them so vicious we put it out in the shed for fear someone might get themselves impaled." Norah wakes from these dreams to the truth that most of her mother's belongings have been given away, sold, or tossed in the trash. She goes in search of one of her mother's props—a ring she called her "black emerald," a relic from her Hollywood days—as if to prove that Katherine is not just a dream, or a myth.

Norah knows she put the ring "somewhere safe," but now she can't remember where that is. Recalling all the "vital and very small" objects that her daughter, Pamela, had stashed away as a child—nail scissors, a single shoelace—she wanders into Pamela's bedroom, rummages through her drawers and coat pockets. She doesn't really expect to find the ring, but she stays in the room a little longer: she has retreated from the space of her mother's performance and found something real. She texts her daughter, and their brief but sweet exchange—Pamela sends two heart emojis—forces Norah to sit on the bed to let her "love for her settle back down." In this short scene, in the midst of loss, we glimpse how much she has gained: a bond with her own daughter that is perhaps sturdier, and truer, than anything she knew with Katherine O'Dell. ♦

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Trump administration will launch mobile coronavirus test system this week - STAT

Posted: 15 Mar 2020 05:31 PM PDT

WASHINGTON — The federal government will roll out a nationwide coronavirus testing system at mobile sites across the country this week, a top Trump administration health official said Sunday.

Brett Giroir, a top deputy to health secretary Alex Azar who was recently designated to oversee the administration's efforts to ramp up testing capacity, said the federal government would begin shipping materials for a network of mobile testing facilities on Monday. By the end of the week, he said, 1.9 million tests would be available to as many as 2,000 laboratories nationwide.

"We believe we've created a model, based on the public health and the FEMA system, that is optimized, that can be used for drive-through or potentially walk-through [testing]," Giroir said. "Each of these pod-based units, we believe, can screen 2,000 to 4,000 individuals a day."

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Giroir said officers from the Public Health Service Commissioned Corps, a uniformed service of health workers who report to the surgeon general, would begin deploying to the test sites by Tuesday.

Trump administration officials, however, warned of "pent-up demand" for tests. So far, the U.S. has dramatically lagged behind other nations hard-hit by the novel coronavirus and the respiratory disease it causes, Covid-19. U.S. labs conducted roughly 2,500 tests per day on March 9, according to the Centers for Disease Control and Prevention. South Korea, a nation with a population roughly six times smaller than the United States, had conducted roughly 20,000 tests daily.

The Trump administration has weathered heavy criticism for the slow testing ramp-up — first, for declining to simply use an existing test developed by the World Health Organization, and later for distributing tests that didn't work.

"I'm not going to say that the lab testing issue is over, because it's not," Giroir said. "It's entering the next phase, but the much higher priority now is, now that we have the testing available, how do we get people into the system to be tested in the appropriate prioritized way? And that's what we've really been focused on."

Deborah Birx, a physician and diplomat who oversaw the State Department's HIV/AIDS response during the Obama administration, addressed hospitals and laboratory workers directly, comparing the necessary supplies to HIV viral load testing.

"Make sure you have enough pipette tips, pipe cutters, and all of the equipment that you need to run this laboratory," she said. "We know with this increased sampling, this increased ability to have community access, additional samples will be going to these laboratories. They can manage the high throughput, but they need all of the supplies that they would normally need to run these tests."

Trump, during a brief appearance in the White House briefing room, attempted to justify an inaccurate statement he made Friday, when he said Google would soon roll out a website that Americans could use to determine whether they should be tested for Covid-19.

Trump did not mention that Verily, Google's life sciences offshoot, was in the early stages of developing the website — and that in the short term, it would only be available to individuals in the San Francisco Bay Area.

Separately, Azar addressed concerns that U.S. hospitals are unprepared for a soon-to-come influx of severely ill Covid-19 patients. The administration has already engaged in planning work related to hospital capacity, he said. He urged consolidating treatment of coronavirus cases where possible, arguing that grouping patients together would allow hospitals to focus more on health care for patients already infected, instead of expending time and energy preventing new infections in patients hospitalized for unrelated reasons.

Pence also said the administration would issue new guidelines Monday morning regarding mitigation strategies. Numerous states have shuttered schools for weeks to come, and some local governments have gone further, urging or expressly prohibiting bars and restaurants from doing business. Trump has hinted that he is considering enacting domestic travel restrictions, especially to and from cities experiencing high rates of community spread.

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Lorenzo Brino, former '7th Heaven' star, dead at 21 - Fox News

Posted: 15 Mar 2020 12:09 PM PDT

Lorenzo Brino, former '7th Heaven' star, dead at 21 - Fox News

Lorenzo Brino, former child actor, has died at the age of 21.

Brino died on Monday, March 9, in the early hours of the morning, the San Bernadino County coroner's office confirmed to Fox News.

'BACHELORETTE' CONTESTANT TYLER GWOZDZ'S CAUSE OF DEATH REVEALED

Lorenzo Brino in "7th Heaven"

Lorenzo Brino in "7th Heaven" (The CW)

"He was involved in a car accident," Fox News was told.

Known for playing the twins Sam and David in "7th Heaven" alongside his brothers, Brino has not acted since his days on the show.

'GOOD TIMES' ACTRESS JA'NET DUBOIS CAUSE OF DEATH REVEALED

One of Brino's friends shared a video online, featuring clips of the former child actor working out, exploring the outdoors and enjoying time with his friends.

Lorenzo Brino died at the age of 21.

Lorenzo Brino died at the age of 21. (Lorenzo Brino/Twitter)

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The video featured the song "See You Again" by Wiz Khalifa and "Good Life" by Kanye West.



2020-03-15 16:23:21Z
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Rey Skywalker Ending - STAR WARS: RISE OF SKYWALKER Movie Clip (2019) HD - JoBlo Movie Trailers

Posted: 15 Mar 2020 12:09 PM PDT

Rey Skywalker Ending - STAR WARS: RISE OF SKYWALKER Movie Clip (2019) HD - JoBlo Movie Trailers

Rey Skywalker Ending - STAR WARS: RISE OF SKYWALKER Movie Clip (2019) HD

CLIP DESCRIPTION: Rey (Daisy Ridley) buries the lightsabers of both Luke (Mark Hamill) and Leia (Carrie Fisher) while revealing her name as they both watch as Force ghosts in a new official movie clip from STAR WARS: THE RISE OF SKYWALKER! #StarWars #TheRiseOfSkywalker

iTunes: https://itunes.apple.com/us/movie/sta...

PLOT: The surviving members of the resistance face the First Order and Emperor Palpatine once again, and the legendary conflict between the Jedi and the Sith reaches its peak bringing the Skywalker saga to its end.

CAST: Daisy Ridley, Carrie Fisher, Mark Hamill, Adam Driver

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2020-03-15 12:00:12Z
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Box Office Plunges to Lowest Level in Over Two Decades Amid Coronavirus Pandemic - Variety

Posted: 15 Mar 2020 12:09 PM PDT

Box Office Plunges to Lowest Level in Over Two Decades Amid Coronavirus Pandemic - Variety

Much of public life in the United States essentially ground to a halt this week. In the entertainment world, theme parks shut down, Broadway went dark, studios pulled major tentpoles from their release calendar, and virtually all Hollywood movies and TV shows halted production as coronavirus continues to rapidly spread across North America.

The exhibition industry, a sector of the film business reliant on the communal experience, has been the one institution reluctant to entirely close its doors amid the ongoing public heath crisis. Prior to Friday, fears of coronavirus didn't appear to impact moviegoing. But this weekend's box office results show that significantly fewer people are going to their local multiplexes.

Ticket sales in North America hit the lowest levels in more than two decades, generating roughly $55.3 million between Friday and Sunday. Only one movie, Disney-Pixar's "Onward," made more than $10 million over the weekend. The last time revenues were this depressed was a weekend in mid-September of 2000 ($54.5 million). The steep decline pushed the year-to-date box office down almost 9%, according to Comscore.

Domestic receipts were inevitably going to plummet this weekend because AMC and Regal, two of the biggest movie theater chains, and several other circuits like Alamo Drafthouse and Arclight, cut capacity in individual auditoriums by 50% to avoid crowding. Reducing the number of tickets sold per theater helped multiplexes comply with the Center for Disease Control and Prevention recommendations for "social distancing." Theaters also kept room between rows and seats to ensure patrons had ample space.

In all, low ticket sales were a combination of audiences staying home and theaters capping seating capacity.

"The impact of this unprecedented situation was apparent across many industries," said Paul Dergarabedian, a senior media analyst with Comscore. "Of course, movie theaters, amidst reduced capacity and an ever-evolving set of circumstances, had a very challenging weekend."

Last weekend's champion "Onward" remained the No. 1 movie at the domestic box office, as three new films opened to varying degrees of disappointment. "Onward" pulled in $10.5 million in its second outing, a brutal 73% decline from its inaugural weekend. After two weeks of release, the animated fantasy adventure has made $60.8 million in North America and $101 million globally.

Faith-based drama "I Still Believe," from Lionsgate and Kingdom Story Company, pulled in the biggest haul among newcomers and placed second on box office charts. The film, starring KJ Apa as Christian singer Jeremy Camp, earned $9.5 million from 3,250 theaters, slightly below expectations. "I Still Believe" was directed by brothers Andrew and Jon Erwin, whose last collaboration, 2018's "I Can Only Imagine," debuted to $17 million and ended up grossing $86 million. "I Still Believe" has an "A" CinemaScore and is performing strongest in the south and midwest. Among opening weekend audiences, 74% were female and 73% were over the age of 25.

Sony's superhero thriller "Bloodshot," starring Vin Diesel, launched at No. 3, bringing in $9.3 million from 2,861 venues. Though only slightly behind the studio's projections, it's still a disappointing result for a film that cost $45 million to produce. Overseas, the film brought in an additional $13 million this weekend, boosting its global haul to $24.4 million.

"Bloodshot" — which earned a "B" CinemaScore from audiences — was co-financed by Columbia Pictures, Bona Film Group and Cross Creek Pictures. Diesel has had trouble attracting crowds to non-"Fast and Furious" endeavors, although in this case, the virus certainly didn't help draw ticket buyers.

"The Hunt," an R-rated political satire from Universal and Blumhouse, came in fifth place with $5.3 million from 3,028 locations, about half of what was expected heading into the weekend. It carries a $14 million price tag. "The Hunt" had been the subject of controversy since it was initially slated for last September. But Universal scrapped its release in wake of three mass shootings, as well as intense media scrutiny after President Donald Trump criticized it on Twitter. The film, meant to poke fun at the divide between red and blue states, follows elites who kidnap and prey on average Americans for sport. In an early trailer, those being hunted were referred to as "deplorables." Universal turned the turmoil into a marketing play, calling it the "most talked about movie of the year that nobody has seen… yet." However, once moviegoers did watch "The Hunt," they seemed somewhat apathetic. It has a "C+" CinemaScore and a 54% average on Rotten Tomatoes.

"The Hunt" came in behind fellow studio release, "The Invisible Man," now in its third frame. The Elisabeth Moss-led sci-fi thriller generated $6 million, enough for the No. 4 spot. So far, "The Invisible Man" has a cumulative tally of $64.4 million in the U.S. and Canada and $122 million worldwide.

Though most theaters in North America remain open to some degree, China, South Korea, Italy and other areas greatly impacted by coronavirus have either completely or partially have shuttered multiplexes for weeks. The mass closures have already resulted in billions of dollars in lost revenues.

In light of concerns over coronavirus, exhibitors in the U.S. that stayed open for business took extra precautions to increase sanitation. That included sterilizing seats, arm rests and cup holders more frequently and disinfecting all hand-contact surfaces during peak times.

Studio executives and media analysts recognize the global box office is in uncharted territory, with crucial developments unfolding at a rapid pace. By last Thursday, most major Hollywood films that were set to hit theaters over the next two months — including Disney's "Mulan," Paramount's "A Quiet Place Part II," Universal's "Fast 9" and MGM's "No Time to Die" — had been removed from release calendars as the virus's infection rate continues to increase. That means even if theaters do keep the lights on, the volume of content available will have dramatically shrunk.

Even so, many remain optimistic that the movie business will be able to rebound.

"These are unique circumstances," said Jim Orr, Universal's president of domestic distribution. "But without a doubt, we will get to the other side. The domestic box office will be back, just nobody has a real answer as to when."

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2020-03-15 15:48:42Z
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Tyler Cameron Picks Up 'Bachelorette' Hannah B at His Hometown Airport - TMZ

Posted: 15 Mar 2020 12:09 PM PDT

Tyler Cameron Picks Up 'Bachelorette' Hannah B at His Hometown Airport - TMZ



2020-03-15 18:28:12Z
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Genesis Breyer P-Orridge, Provocateur And Industrial Co-Creator, Dead At 70 - NPR

Posted: 15 Mar 2020 12:09 PM PDT

Genesis Breyer P-Orridge, Provocateur And Industrial Co-Creator, Dead At 70 - NPR

Genesis Breyer P-Orridge, photographed in New York on Aug. 19, 2007. The artist, best known for their work in the groups Throbbing Gristle and Psychic TV, died on March 14, 2020. Neville Elder/Redferns hide caption

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Neville Elder/Redferns

Genesis Breyer P-Orridge, photographed in New York on Aug. 19, 2007. The artist, best known for their work in the groups Throbbing Gristle and Psychic TV, died on March 14, 2020.

Neville Elder/Redferns

Genesis P-Orridge, the visual, musical and performance artist whose work with Throbbing Gristle and Psychic TV gave rise to the industrial and acid house genres, has died at age 70, after being diagnosed with leukemia two-and-a-half years ago. P-Orridge's two daughters, Caresse and Genesse P-Orridge, shared a statement confirming their death via their label, Dais Records.

P-Orridge never meant to engender industrial music, the genre with which they are most closely associated. With their collaborators in the avant-garde arts collective COUM Transmissions and its house band Throbbing Gristle, they clawed away at music as they knew it; what came to be known as industrial was simply what was left. The English musician, artist and social provocateur saw destruction as a means to creation, and took everything from noise to language to their own body, which they modified extensively before and during their gender transition, as raw material for reordering the world.

From an early age, P-Orridge learned how power weighed on the body. A small and sickly child from a working-class Manchester family, they attended an elite high school on scholarship. There, they endured physical abuse at the hands of their more affluent classmates, a ritualized simulation of the ways class relations unfold in adulthood. Insufficiently moneyed or masculine, P-Orridge realized as a teenager that symbolic violence gave rise to the implicit, and real, violence of compulsory labor and compulsory gender under capitalism. "I had to go to a bloody public school, I had to deal with that for four years, being physically and mentally tortured, quite literally, and I just thought at the end of it, I know the enemy. These people are going to run Britain in twenty years," they said in a 1994 interview. They also realized they could seize the power of symbols and rituals to their own ends.

In 1976, Throbbing Gristle played an early concert at London's Institute of Contemporary Art during a COUM exhibition called "Prostitution." On display were pornographic photos of COUM member Cosey Fanni Tutti, as well as used tampons, syringes and bottled blood. The abject tableau shocked a conservative Member of Parliament into infamously declaring the group the "wreckers of civilization," a telling pronouncement (from a humorless suit who could have been one of P-Orridge's former schoolmates). What kind of civilization was so brittle its foundation could be cracked by nudity and filth?

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With COUM, Throbbing Gristle and, later, the more pop-oriented band Psychic TV, as well as their abundant visual art, P-Orridge applied the cut-and-paste creative techniques of William S. Burroughs and the occult philosophies of Aleister Crowley to cultural work that aimed to corrupt and unsettle the habits of normative society. They took symbolic violence as a creation rite: On the harrowing track "Slug Bait," from Throbbing Gristle's 1977 debut album The Second Annual Report, P-Orridge sings from the perspective of a home intruder who castrates a husband and then eats the fetus from his pregnant wife's lacerated abdomen. Their thin, androgynous voice quavers over distorted electronics orchestrated by their bandmates, breaking into occasional shrieks, as if they embodied both the murderer and the murdered at once.

Throbbing Gristle, photographed on May 22, 1981. From Left: Chris Carter, Cosey Fanni Tutti, Peter "Sleazy" Christopherson and Genesis P-Orridge. Michael Ochs Archives/Getty Images hide caption

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Michael Ochs Archives/Getty Images

Throbbing Gristle, photographed on May 22, 1981. From Left: Chris Carter, Cosey Fanni Tutti, Peter "Sleazy" Christopherson and Genesis P-Orridge.

Michael Ochs Archives/Getty Images

As the primary singer of Throbbing Gristle, P-Orridge's lyrics ran the gamut of the taboo. Mutilation, disease, suicide and rape populated their songs, whose wry darkness grappled with what the world can do to the body, and what the body can do to stake its claim to survival in a toxic environs. The band's irreverent and darkly playful stance toward the horrors of life under post-industrial capitalism echoes in generations of musicians, from Depeche Mode and New Order to Death Grips and Pharmakon, who found symbiosis in the relationship between body and machine. If capitalism wears out the bodies of workers until they can be brutally disposed, industrial music appropriates the sounds of factories, machinery, and cities in a vision of spiritual resistance to systemic oppression.

A peer of Fakir Musafar, the American artist who led the modern primitive movement, a ritualistic body modification subculture, in the latter half of the 20th century, P-Orridge conceived of their own body as a canvas in a lifelong artistic project. They were extensively pierced and tattooed before such modifications became commonplace, and partook in performance rituals involving risky self-harm. "I have to make at least one cut on myself, and it has to be a cut that will scar, no matter how small," they said in an interview for Re/Search's 1989 book Modern Primitives. Like Musafar, P-Orridge sought the kind of visceral meaning that white, Western culture can lack, often by appropriating visual language (like tribal tattoos and dreadlocks) from black and indigenous cultures. "I was looking for some kind of devotion and holiness, but in a contemporary way, I was trying to rediscover what it is in our culture that's been taken from us," they said in 1994. Their sampling practice, which drew from fascist imagery, was ravenous, its results often bewildering as well as exhilarating. As much as P-Orridge's work sought to enact symbolic violence against whiteness, it also replicated colonialist weapons like cultural appropriation without explicitly challenging them.

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Like many transgender artists, P-Orridge was known as much for their transition as their art; unlike most of their trans peers and successors, they saw no hard line between the two. Identity was not peripheral to their practice. In the late '90s, after moving from England to New York and marrying the dominatrix Jacqueline Breyer, P-Orridge and their wife began what they called the Pandrogeny Project — a lifelong journey toward becoming one being. Both P-Orridge and Breyer pursued cosmetic surgery to resemble each other. For P-Orridge, the project constituted a de facto gender transition in accordance with the androgyny they'd long felt. "S/he will be laid to rest with h/er other half, Jaqueline 'Lady Jaye' Breyer who left us in 2007, where they will be re-united," P-Orridge's daughters wrote in their Saturday statement. For both, it was a spiritual transformation, and a way of displacing heteronormative expectations. "Instead of having children... what if we made ourselves the new person instead?," P-Orridge asks in The Ballad of Genesis and Lady Jaye, Marie Losier's 2011 documentary about the project.

P-Orridge brazenly questioned power — but they also seemed to have reveled in it. In her 2017 autobiography Art Sex Music, Cosey Fanni Tutti details the harrowing physical, emotional and sexual abuse she says she endured from P-Orridge while the two were romantic and creative partners in the 1970s. (P-Orridge has denied the allegations.) Several former members of Thee Temple ov Psychick Youth, the "anti-cult" P-Orridge headed while in Psychic TV in the 1980s, have described them as an exploitative and domineering leader who actively sought out vulnerable teenagers to bring into their fold.

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Even in death, P-Orridge and their legacy resist an uncomplicated summary. Their life's work troubles the line between oppressor and oppressed, sacred and profane, male and female, individual and collective, sublime and grotesque. They suffered, confronted, and also recreated and projected the violence this world wields against those deemed defective or excessive. A complex and overflowing figure, they leave behind words, images and music that have proved vital to the reimagining of pop music and gender alike. So many of us are better for the rot they inflicted on an environment that tried to snuff them out. So many of us — artists, musicians, and badly gendered truth-seekers — have thrived in their stain. They have left behind a pregnant body of work charged with confusion, contradiction, hideousness, and beauty. Even their absence shivers, electric.



2020-03-15 17:25:36Z
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キスマイ、大人の色気零れ出る - モデルプレス

Posted: 15 Mar 2020 09:13 AM PDT

キスマイ、大人の色気零れ出る - モデルプレス

Kis-My-Ft2が『anan』2194号(3月25日発売)の表紙に登場。経験を重ねた大人の7人だからこその色っぽさ、存在感が引き立つ撮影となった。
「anan2194号」(3月25日発売)表紙:Kis-My-Ft2(C)マガジンハウス.
「anan2194号」(3月25日発売)表紙:Kis-My-Ft2(C)マガジンハウス.

キスマイの"零れ出る色気"

今回のグラビアテーマは「零れ出る色気」。ソロカットでは、なにげない仕草や表情から漏れ出る色気のニュアンスを、本人の持つ雰囲気に合わせて切り取りました。しっとりした光の中、謎めいた視線をこちらに向けたり、自然に寝転んだりと、大人の魅力の中に、素の姿が垣間見える撮影に。

一方で、2人組、3人組に分かれて撮影したカットでは、少年のような表情も。インタビューでは、1人ひとりの思う色気の定義、そして、長い期間一緒に活動してきたメンバーが、お互いのどんなところに色気を感じるかを語った。(modelpress編集部)

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2020-03-15 15:06:40Z
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5月の「コミックマーケット98」は開催を予定。ただし,状況は流動的 - 4Gamer.net

Posted: 15 Mar 2020 07:13 AM PDT

5月の「コミックマーケット98」は開催を予定。ただし,状況は流動的 - 4Gamer.net

 新型コロナウイルスの感染拡大懸念から,イベントの中止や延期の動きが広がっているが,コミックマーケット準備会は本日(2020年3月15日),「コミックマーケット98」の開催見通しを公式サイトに掲載した。
 発表では,3月15日現在,開催に向けた準備を進めているものの,今後の動向や関係各方面の指示,要請などにより,開催を断念せざるを得ない状況に陥る可能性もあると述べられている。  大規模な同人誌即売会であるコミックマーケットは,例年8月と12月に開催されるが,今年は東京オリンピック・パラリンピックの影響で,5月2日〜5日に前倒しされている。2019年8月に開催された「コミックマーケット96」では,70万人以上の来場者を記録したという。

 コミックマーケット準備会は今後も可能な限り開催に向けての努力を続け,新しい情報は随時,公式サイトで発表していくとしている。

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2020-03-15 12:20:34Z
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Cruise ships banned; travellers forced to self-isolate under tough new coronavirus restrictions - Sky News Australia

Posted: 15 Mar 2020 04:51 AM PDT

'Choose hope over fear': Paul Murray

Sky News host Paul Murray says he will break the coronavirus updates down into "the good, the bad, and the ugly," but in his coverage he will always "choose hope over fear, freedom over tyranny, and common sense over panic".

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March 15, 2020 at 12:51AM
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Cruise ships banned; travellers forced to self-isolate under tough new coronavirus restrictions - Sky News Australia
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Indonesia minister confirmed to have virus - Camden Advertiser

Posted: 15 Mar 2020 04:51 AM PDT

Indonesia has reported 21 new coronavirus infections, bringing the total number of confirmed cases to 117, CNN Indonesia reports, citing health ministry official Achmad Yurianto.

Of the new cases, 19 were detected in Jakarta and two in the Central Java province, Yurianto reportedly said.

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March 14, 2020 at 08:44AM
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Indonesia minister confirmed to have virus - Camden Advertiser
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「ヒプマイ」寂雷ソロ曲は韻シストが担当、歌詞にインスパイアされた企画も始動(動画あり) - ナタリー

Posted: 15 Mar 2020 04:12 AM PDT

「ヒプマイ」寂雷ソロ曲は韻シストが担当、歌詞にインスパイアされた企画も始動(動画あり) - ナタリー

「ヒプノシスマイク -Division Rap Battle-」より、速水奨演じる神宮寺寂雷のソロ曲「君あり故に我あり」のトレーラーが解禁された。

「君あり故に我あり」は、3月25日にリリースされるシンジュク・ディビジョン"麻天狼"のCD「麻天狼-Before The 2nd D.R.B-」の収録曲。ヒップホップバンド・韻シストのBASIとサッコンが作詞、ShyoudogとTAKU、TAROW-ONEが作曲を担当しており、演奏・編曲をバンドで手がけている。

またトレーラーの公開に併せ、楽曲の歌詞にある「見上げればいつも同じ空」というフレーズからインスパイアされた「『君の写真故に我あり』キャンペーン」がスタート。Twitterで募集した空の写真の一部を使って、「麻天狼-Before The 2nd D.R.B-」のジャケット写真のモザイクアートが作成される。完成したモザイクアートはCD発売日の3月25日以降、公式サイトやTwitterなどで公開される予定だ。参加したい人は3月22日23時59分までに、Twitterでハッシュタグ「#皆の空でシンジュクJK」を付け、空の写真を投稿しよう。

麻天狼「麻天狼-Before The 2nd D.R.B-」

M1.「君あり故に我あり」神宮寺寂雷(CV:速水奨
M2.「パーティーを止めないで」伊弉冉一二三(CV:木島隆一)
M3.「BLACK OR WHITE」観音坂独歩(CV:伊東健人)
M4. Drama Track(仮)

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2020-03-15 10:08:57Z
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Disney Drops ‘Star Wars: The Rise of Skywalker’ Early On Digital Home Video - Deadline

Posted: 15 Mar 2020 04:09 AM PDT

Disney Drops 'Star Wars: The Rise of Skywalker' Early On Digital Home Video - Deadline

With much of the nation sitting at home waiting out the coronavirus, Disney made Star Wars: The Rise of Skywalker available for purchase a few days early.

The film was supposed to be released on Tuesday, March 17. Instead, the final Skywalker Saga became available late Friday, March 13, in most digital stores including Vudu, Apple TV and iTunes, Google Play, FandangoNow and Amazon. The title is available in HD and SD for $19.99 and in 4K Ultra HD for $24.99.

The Rise of Skywalker hit theaters in December 2019. The film debuted to mix reactions from critics and longtime Star Wars fans, yet it raked in $1.07 billion dollars at the worldwide box office.

Home entertainment enthusiasts have something else to fill their time. As Deadline reported yesterday, Frozen 2 is getting an early release as well. Disney said Friday it would drop the film three months ahead of schedule in the U.S. and internationally on its Disney+ subscription streaming service.

"It's here! #Frozen2 is now streaming on #DisneyPlus in the U.S. Coming to Canada, Netherlands, Australia and New Zealand this Tuesday," the studio announced today on its official Twitter account.

New Disney CEO Bob Chapek said the company was pleased to share the film earlier, noting that "the themes of perseverance and the importance of family are messages that are incredibly relevant during this time, and we are pleased to be able to share this heartwarming story early with our Disney+ subscribers to enjoy at home on any device."



2020-03-15 04:17:18Z
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Angelina Jolie & Vivienne, 11, Stock Up On Groceries Amidst Coronavirus Panic Shopping — Pics - HollywoodLife

Posted: 15 Mar 2020 04:09 AM PDT

Angelina Jolie & Vivienne, 11, Stock Up On Groceries Amidst Coronavirus Panic Shopping — Pics - HollywoodLife

Preparing for quarantine! Angelina Jolie and her 11-year-old daughter Vivienne were all-smiles as they stocked up on groceries in Los Angeles.

Angelina Jolie, 44, is preparing for the Coronavirus lockdown. The actress and her 11-year-old daughter Vivienne Jolie-Pitt were spotted leaving Lassens Natural Foods & Vitamins near their Los Feliz, CA home with two fully-stuffed grocery bags. Angelina was all-smiles as she held onto a coffee in the other hand, despite the miserable rainy weather. For her part, Vivienne hung onto the second bag for her mom, allowing Ang to enjoy her hot cup of joe. While there's no telling exactly what they stocked up on, a vegetable bag could be seen peeking out of the top in one of the bags.

Vivienne was looking so much like her handsome dad Brad Pitt, 54, right down to her inquisitive facial expression! The 11-year-old already has a style on her own, and rocked a boho style baby blue top with a rope tie, loose fitting faded jeans and a comfy pair of gray suede espadrilles. For her part, Angelina sported her usual neutrals opting for a bohemian style white dress featuring two layers and embroidery, a classic beige trench and nude ballet flats. With her brunette locks pulled back into a casual bun, the Lara Croft star accessorized with a gold wire pair of sunglasses, black purse and earrings.

The sighting comes amidst fears about the highly-contagious and quickly-spreading COVID-19, otherwise known as Coronavirus. The majority of the cases remain in Asia — where Angelina's oldest son Maddox, 18, is currently studying at Yonsei University in South Korea — however, numbers continue to be on the rise in North America and other western countries. Several celebrities and high profile figures have been affected, including couple Tom Hanks and Rita Wilson, who are in quarantine in Australia, as well as Sophie Trudeau, wife of the Canadian Prime Minister Justin Trudeau, and Utah Jazz stars Rudy Gobert and Donovan Mitchell.

Angelina Jolie & Vivienne Jolie-Pitt
Angelina Jolie and 11-year-old daughter Vivienne Jolie-Pitt are all-smiles as they stock up on groceries at Lassens Natural Foods & Vitamins amidst concerns about the spreading Coronavirus. (BACKGRID)

As for the Jolie-Pitts, the family has seemingly been spending plenty of time at home as Angelina's daughters Zahara, 15, and Shiloh, 13, have both been recovering from surgeries. Shiloh has been spotted out-and-about recently on crutches while she recovers from a hip operation, while Zahara — who's surgery has yet to be disclosed — was seen heading to a movie with her mom and sister on Mar. 9.



2020-03-15 02:00:53Z
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Covid-19: Cops urge those with info on tabligh to contact Health Ministry - The Star

Posted: 15 Mar 2020 03:51 AM PDT

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  1. Covid-19: Cops urge those with info on tabligh to contact Health Ministry  The Star
  2. 41 New Covid-19 Cases in Malaysia Linked to Religious Event  Tempo.co English
  3. Malaysia reports 190 new coronavirus cases, most linked to mosque event  The Straits Times
  4. Malaysia reports whopping 190 new Covid-19 cases  Free Malaysia Today
  5. Don't spoil health ministry's good work on Covid-19  Free Malaysia Today
  6. View Full coverage on Google News


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March 14, 2020 at 01:32AM
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