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Mステ3時間SP、King & Prince・乃木坂46ら出演アーティスト一挙発表 - モデルプレス

Posted: 08 Oct 2019 05:42 AM PDT

Mステ3時間SP、King & Prince・乃木坂46ら出演アーティスト一挙発表 - モデルプレス

18日放送のテレビ朝日系『ミュージックステーション』3時間スペシャル(夜7時~9時48分)の全アーティストが一挙発表された。
ミュージックステーション(C)テレビ朝日
ミュージックステーション(C)テレビ朝日

Mステ枠移動後、最初の放送は3時間SP

10月より、金曜よる9時に放送時間を変更する『ミュージックステーション』。1986年の放送開始以来、長きに渡り"金曜よる8時"に視聴者を楽しませてきた同番組が、番組スタート33年にして初めて、"よる9時"に枠移動。

枠移動後、最初の放送は『アーティスト&視聴者も参加!みんなでつくるMステ』と題し、3時間スペシャルで放送。視聴者と生投票で、歌う楽曲やラストポーズを決定するほか、生放送中に曲作りにも挑戦する。

Mステ、枠移動後初回は3時間スペシャル ロゴ&セットも一新


今回、発表された出演アーティストは以下。

出演アーティスト(50音順)

・いきものがかり
・Official 髭男dism
King & Prince
・Cocco
・THE YELLOW MONKEY
・ジャニーズWEST
・スピッツ
・Sexy Zone
乃木坂46
・BLACKPINK
・槇原敬之
・日向坂46
・Foolin
・宮本浩次

(modelpress編集部)

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2019-10-08 12:00:00Z
https://mdpr.jp/music/detail/1880537

Dancing with the Stars 5th Judge: One Star Finds Out They're Expecting, Leah Remini Picks a Fight - TooFab

Posted: 08 Oct 2019 04:46 AM PDT

Dancing with the Stars 5th Judge: One Star Finds Out They're Expecting, Leah Remini Picks a Fight - TooFab

It was a night of highs and lows and nearly a brawl at the judges table on "Dancing with the Stars."

James Van Der Beek, who has been a front-runner since the first week, got the exciting news that he's going to be a dad ... again ... for the sixth time! Meanwhile, the gap between the top performers and the Bottom 3 continued to widen, proving that last week's reprieve probably won't make much of a difference.

This competition is proving too much for Sean Spicer, Lamar Odom and Karamo Brown, though at least one of them is showing some signs of improvement. The other two? Yeah, it's still not very pretty.

And while Lamar struggled again, he definitely had a fan in Leah Remini, who not only shouted down her fellow judges for their lower marks, she threatened to walk over them, with Tom Bergeron telling her "it's only a dance show" over and over in an effort to calm her.

Leah stayed fired up throughout the night, talking over Len Goodman constantly and trying to argue that just because you're not a dance, you should get higher marks. It got so bad that Bruno Tonioli actually had to interject to urge Tom to give Len his chance to speak, considering he is head judge and an expert in what they're supposed to be judged on.

In other words, we're not so sure Leah was a great choice as a guest judge -- she had no real dance criticism to offer -- and we're pretty sure she won't be invited back.

Who do I think I am? you ask. Well, I spent nearly a decade of my life sweating and bleeding to the music as a dancer. From a young boy learning a shuffle-ball-change to performing with the St. Louis Ballet Company, I experienced the ups and downs of one of the most difficult physically demanding sports on the planet. During this time, I was also a member of the St. Louis Symphony Youth Orchestra, as well as a gymnast, writer and cartoonist. I had a lot more energy in my younger years. And I've spent the last sixteen years analyzing and critiquing reality competition shows for various media publications. I've got this.

Fair warning, since I'm safe at home, I'm probably going to be a little harsher than my colleagues Carrie-Ann Inaba, Len Goodman, and Bruno Tonioli. But I might be nicer, too. Maybe.

Sean Spicer & Lindsay Arnold

(Paso Doble) With it's more militaristic posture and style, this was easily Sean's strongest dance. And yet, he hasn't yet mastered how to look like he's dancing across the floor; rather he always looks like he's marching or stomping. Still, his timing was better and had the steps down, so this is a tremendous improvement from what we've seen before. He just still needs to loosen up and be less militant.

Judges Scores: 5, 6, 5, 5

My Score: 4

Ally Brooke & Sasha Farber

(Jive) Sasha put her through the works on this one, with plenty of tough and fast jive content once they got past the Tina Turner tribute at the top. Ally was mostly on top of it, but she did spend a lot of the dance chasing both the rhythm and Sasha, as if she was struggling to keep up. Her footwork, as such, lacked in sharpness and finesse at times, but this was nevertheless a confident performance and a competent jive. Ally continues to improve week after week just as we like to see.

Judges Scores: 8, 8, 8, 8

My Score: 7

Kel Mitchell & Witney Carson

(Cha Cha) Where did this guy come from? Kel has been improving all season, but he took four or five steps up that ladder with this impressive cha cha. From the moment he sashayed the length of the dance floor like a dancer it was on. He was in control, he had great rhythm and musicality throughout his body. He used every bit of himself and had such swagger, this was just a blast to watch from top to bottom. He just made himself a contender.

Judges Scores: 8, 8, 8, 8

My Score: 8

Kate Flannery & Pasha Pashkov

(Argentine Tango) Pasha may be one of the best professional partners they've ever discovered, and the work that he is doing with Kate is nothing but magical. Once again, she hit this floor with a grace, poise and confidence you might expect of someone half her age. She did have a little trouble digging into the emotion and acting of such a sultry piece, and wasn't quite as fluid as the format might like, but she really is a mesmerizing dancer to watch and growing each week just the way we want to see.

Judges Scores: 7, 7, 6, 6

My Score: 7

James Van Der Beek & Emma Slater

(Quickstep) James played it a little too broad, especially at the beginning, but was otherwise very confident in a very tough dance style. You could feel the joy exuding off of his body, but more importantly, you could see the quickstep throughout his footwork. The problem was with that big, broad approach, he struggled a bit in those more controlled hold moments moving across the floor, as the judges also noted.

Judges Scores: 7, 7, 7, 7

My Score: 7

Hannah Brown & Alan Bersten

(Paso Doble) We absolutely loved Hannah's attack on this, and she mostly avoided smiling. But she did lack a bit in strength and command. This is a powerful style that requires the woman to stand equal to the man in presence, strength and aggression. Hannah was right there at times, but there was a lack of certainty that betrayed her at others. Still, she really brought commitment to the steps, the moves and the staccato holds, which she hit very hard.

Judges Scores: 8, 8, 8, 8

My Score: 8

Lamar Odom & Peta Murgatroyd

(Viennese Waltz) With all of his height and length, it's remarkable how timid and small Lamar was with his movements. We get he's trying not to outstretch Peta's capabilities in gait and walk, but he overcorrected. Also, while he looked more confident with the steps this week, the concentration it took to get them better took its toll on him looking graceful in a style that is supposed to be all grace and gentle movement.

Judges Scores: 5, 7, 4, 4

My Score: 4

Sailor Brinkley-Cook & Val Chmerkovskiy

(Cha Cha) The piece could have used a little more energy from Sailor in the top half, but she really found her groove as it went along. There was lots of hard striking hits and great lines throughout the piece, though her arms did miss the full extension a few times. Also, she needs to watch singing the lyrics as it's a distraction to her body, which is what's supposed to be telling the story. And her body is doing everything right, with solid hip work and sinuous flexibility.

Judges Scores: 7, 8, 8, 8

My Score: 8

Lauren Alaina & Gleb Savchenko

(Foxtrot) Lauren needs to watch that she doesn't stop between moves; she needs to keep the dance moving and flowing. She did a great job of selling the emotion of the story Gleb chose to tell through body language, facial expression and even the way she attacked this foxtrot. She only seemed to stutter step one time that was noticeable, mostly offering a lovely presentation with Gleb slipping in increasingly complex moves and spins.

Judges Scores: 8, 8, 8, 8

My Score: 8

Karamo Brown & Jenna Johson

(Tango) Karamo needs to dig into the ground, loosen up his hips and sink his body down a bit more to get more into the heat of the tango. This was all too tall, upright and stiff throughout a lot of it. It was lacking in the intensity that it needed to really sell the attitude of the piece. That said, credit where it's due, he seemed to have the dance down pretty well and you could tell that he was fighting for it; he just hasn't fully committed to just throwing caution to the wind and going for it He dances like a reserved person trying to get out of their headspace and dance with abandon, but it's not coming easy.

Judges Scores: 7, 7, 7, 7

My Score: 6

RESULTS

The bottom three isn't changing, but the most important thing to note is that the bottom two aren't really improving. Meanwhile, Karamo stepped up his game this week and is showing the drive and the potential to really find his footing in this competition.

All of that is to say that we were rooting -- that can't be the right word -- for Lamar and Sean to fall to the bottom two. From that point, we're okay with either one going, because the other one should be right behind them next week, barring some miraculous improvement.

And yet, once again Sean managed to escape the Bottom 2, leaving Karamo to battle it out with Lamar to see which one the judges would save. And while we were feeling pretty confident they would reward Karamo's work and improvement with a chance to continue, we're a little concerned that Sean keeps skating by.

Weren't the tweaks in format supposed to prevent this sort of thing? All he has to do, though, is fall into the Bottom 2 and he's done, and he's so far behind the leaders of this competition it has to happen eventually, right?

In the end, Lamar Odom's luck finally ran out, as did his journey on this show.

"Dancing With the Stars" airs Mondays at 8 p.m. ET on ABC.

Got a story or a tip for us? Email TooFab editors at tips@toofab.com.

View Photos Instagram Khloe Kardashian Rocks Skintight Latex Pants For Driveway Photoshoot



2019-10-08 09:15:00Z
https://toofab.com/2019/10/08/dwts-dancing-with-the-stars-recap-5th-judge-expecting-pregnant-leah-remini/

‘South Park’ Is Erased in China After Mocking Censors - The New York Times

Posted: 08 Oct 2019 04:45 AM PDT

'South Park' Is Erased in China After Mocking Censors - The New York Times

HONG KONG — "South Park," the long-running Comedy Central cartoon whose mockery has spared few touchy topics, was erased from major platforms in China after an episode last week taunted Chinese censors and the far-reaching effect they often have on American entertainment.

The government's censors, who routinely quash news and commentary deemed undesirable by the ruling Communist Party, wiped out video clips and discussions of the show, which premiered in 1997 and has lasted 23 seasons. Once known mostly for the raunchy humor coming from the mouths of its elementary-school-age main characters, the show has in recent seasons focused on political and cultural satire, without abandoning its boundary-pushing ways.

Last week's episode, called "Band in China," appeared to cross a new line for the Chinese authorities. On Baidu Tieba, a popular discussion platform, searches for "South Park" on Tuesday returned the following message: "According to the relevant law and regulation, this section is temporarily not open."

Searches for the show were also fruitless on Youku, a video hosting service, which similarly cited "the relevant law and regulation." On Weibo, the country's most popular social network, posts mentioning the show could not be found.

The censorship occurred as the N.B.A. was unintentionally demonstrating how protecting business interests in China can chill speech back in the United States. The basketball league has scrambled to contain a backlash in China since Daryl Morey, the general manager of the Houston Rockets, tweeted support last week for the Hong Kong protests, which are reviled by the Chinese government.

Though the league has supported political expression by its players, it was less supportive of Morey, prompting accusations that it valued its business in China more than free speech.

Whereas the N.B.A. has struggled to respond to the geopolitical fracas, the creators of "South Park" appeared to relish the fight. The show's creators, Trey Parker and Matt Stone, put out a fake apology on Monday, poking fun at the N.B.A. while insulting Xi Jinping, China's president.

"Like the N.B.A., we welcome the Chinese censors into our homes and into our hearts," the tongue-in-cheek statement read. "We too love money more than freedom and democracy. Xi doesn't look just like Winnie the Pooh at all."

That last part makes more sense in the context of the episode, which had two plot lines related to China. Spoilers ahead.

In one, the character Randy Marsh flies to China hoping to expand his marijuana business there, only to be arrested at the airport. In a work camp, he meets Winnie the Pooh, who, the show explains, was banned after Chinese social media users pointed out his resemblance to Mr. Xi. (The Pooh censorship is real, and reporting on it got John Oliver censored last year.)

Meanwhile in Colorado, the South Park children form a band, and a manager wants to make a biopic about them — but insists that their life story be told in a way that will be acceptable to Chinese censors, so they don't lose access to the market. He instructs the boys to cut references to the Dalai Lama (seen by the Chinese government as a separatist), organ transplants (China has been accused of harvesting prisoners' organs) and homosexuality (nothing is wrong with that subject "unless you want to make money in China," he says).

Eventually the boys tire of the ordeal. "I want to be proud of who we are, guys, and anyone who would betray their ideals just to make money in China isn't worth a lick of spit," says one of them, Stan.

(The full episode is available online here, for those with a high tolerance for profanity.)

The N.B.A. is hardly the first international business to make concessions to China's political sensitivities as it seeks access to its lucrative market, or to forcefully apologize after running afoul of them. Movie studios, especially, have worked to ensure that their scripts aren't at odds with state censors, lest they lose billions in potential business.

Disney, for one, earned $858 million for "Avengers: Endgame" in the United States and an additional $614 million from China. Moviegoers in China bought an estimated $8.87 billion in movie tickets last year, according to box office analysts.

The "South Park" episode mocked Disney by turning a Mickey Mouse look-alike into a craven profit seeker. On his flight to China, Randy Marsh was surrounded by characters from "Avengers" and "Star Wars," along with N.B.A. players.

The world of e-sports had its own run-in with Chinese politics on Tuesday, when Blizzard Entertainment said it was suspending Chung Ng Wai, a Hong Hong player of the game Hearthstone, for a year and forcing him to forfeit prize money. Mr. Chung, who uses the name Blitzchung, had spoken out in support of the Hong Kong protests during a livestreamed interview.

The company said Mr. Chung had broken a rule barring players from engaging in any act that "brings you into public disrepute, offends a portion or group of the public, or otherwise damages" Blizzard's image.

In their statement on Monday, the "South Park" creators parodied the apologies that businesses have often made after crossing the Chinese government.

"Long live the Great Communist Party of China!" they wrote. "May this autumn's sorghum harvest be bountiful! We good now China?"

Elsie Chen contributed reporting.



2019-10-08 08:45:00Z
https://www.nytimes.com/2019/10/08/arts/television/south-park-china.html

Ellen DeGeneres explains hanging out with her friend George W. Bush - CNN

Posted: 08 Oct 2019 04:45 AM PDT

星野源、東京ドーム公演ライブ映像をNetflixで全世界へ配信(動画あり) - ナタリー

Posted: 08 Oct 2019 04:12 AM PDT

星野源、東京ドーム公演ライブ映像をNetflixで全世界へ配信(動画あり) - ナタリー

星野源のライブ映像作品「DOME TOUR "POP VIRUS" at TOKYO DOME」が、10月10日よりNetflixで独占配信される。

SuperorganismやPUNPEEなど国内外の豪華アーティストを迎えた新作「Same Thing」を10月14日に配信リリースし、11月にはワールドツアー「Gen Hoshino POP VIRUS World Tour」をスタートさせる星野。今回Netflixで全世界に向けて配信される「DOME TOUR "POP VIRUS" at TOKYO DOME」は、最新アルバム「POP VIRUS」をタイトルに掲げて行われたドームツアーより東京・東京ドームツアーの模様を収録した作品で、今年8月にBlu-rayおよびDVDでパッケージリリースされた。なおNetflixで配信されるバージョンは、パッケージ版に一部編集を加えたバージョンで、特典映像は配信されない。

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2019-10-08 10:04:00Z
https://natalie.mu/music/news/350777

ジョジョの奇妙な冒険:「岸辺露伴は動かない」の新作OVA「懺悔室」「ザ・ラン」のビジュアル 岸辺露伴が疾走 - MANTANWEB(まんたんウェブ)

Posted: 08 Oct 2019 03:12 AM PDT

ジョジョの奇妙な冒険:「岸辺露伴は動かない」の新作OVA「懺悔室」「ザ・ラン」のビジュアル 岸辺露伴が疾走 - MANTANWEB(まんたんウェブ)

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  1. ジョジョの奇妙な冒険:「岸辺露伴は動かない」の新作OVA「懺悔室」「ザ・ラン」のビジュアル 岸辺露伴が疾走  MANTANWEB(まんたんウェブ)
  2. 岸辺露伴、走る!「岸辺露伴は動かない」新作OVAのキービジュ公開  ナタリー
  3. 「岸辺露伴は動かない」新作OVAのキービジュアル公開!「ザ・ラン」イメージの疾走感!!  アニメ!アニメ!Anime Anime
  4. 『岸辺露伴は動かない』新作OVA「懺悔室」「ザ・ラン」キービジュアル解禁!6都市上映ツアー奇譚見聞録プレリザーブ受付中!  JMAG NEWS
  5. Google ニュースですべての記事を表示


2019-10-08 09:02:15Z
https://mantan-web.jp/article/20191008dog00m200017000c.html

三浦大知に第2子誕生「歌い手として人間としてまだまだ精進します」 - ナタリー

Posted: 08 Oct 2019 02:42 AM PDT

三浦大知に第2子誕生「歌い手として人間としてまだまだ精進します」 - ナタリー

三浦大知が自身のInstagramアカウント(@daichimiura824)を通じて第2子の誕生を報告した。

第2子誕生について三浦は「また一つ掛け替えのない守るべき命が増えとても大きな幸せを感じています」「歌い手として人間としてまだまだ精進します^_^」とコメント。投稿には第1子誕生の際と同様に子供の手の写真が添えられている。

三浦は現在アリーナツアー「DAICHI MIURA LIVE TOUR 2019-2020 COLORLESS」の真っ最中。ツアーは11月5日の東京・国立代々木競技場 第一体育館まで続く。

三浦大知「DAICHI MIURA LIVE TOUR 2019-2020」(※終了分は割愛)

2019年10月23日(水)大阪府 大阪城ホール
2019年10月24日(木)大阪府 大阪城ホール
2019年10月31日(木)福岡県 マリンメッセ福岡
2019年11月5日(火)東京都 国立代々木競技場第一体育館

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2019-10-08 08:36:00Z
https://natalie.mu/music/news/350755


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