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感染の「報ステ」富川アナ、来月4日復帰…「深く反省しております」 - 読売新聞

Posted: 29 May 2020 01:11 AM PDT

感染の「報ステ」富川アナ、来月4日復帰…「深く反省しております」 - 読売新聞

 テレビ朝日は29日、報道番組「報道ステーション」のメインキャスターで、新型コロナウイルスに感染して番組を休んでいた富川悠太アナウンサー(43)が、6月4日に復帰すると発表した。

 富川アナは「番組で繰り返し感染予防を呼びかけていた立場にもかかわらず、このような事態を招き、深く反省しております」とのコメントを発表した。

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2020-05-29 06:50:00Z
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Celebrity couple Lee Dong-gun, Jo Yoon-hee split up after three years of marriage - CNA

Posted: 29 May 2020 12:45 AM PDT

Celebrity couple Lee Dong-gun, Jo Yoon-hee split up after three years of marriage - CNA

[unable to retrieve full-text content]
  1. Celebrity couple Lee Dong-gun, Jo Yoon-hee split up after three years of marriage  CNA
  2. Actors Lee Dong-gun and Jo Yoon-hee split after 3 years of marriage  The Straits Times
  3. Lee Dong Gun In Talks To Return To Big Screen After 13 Years Away  soompi
  4. Korean Stars Lee Dong Gun & Jo Yoon Hee Announce Divorce After 3 Years Of Marriage  TODAYonline
  5. Lee Dong-gun, Jo Yoon-hee split up  The Straits Times
  6. View Full coverage on Google News


2020-05-29 02:52:03Z
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MBC's 'Hangout With Yoo' confirms Yoo Jae Suk, Lee Hyori, & Rain will debut this summer + still considering other members - allkpop

Posted: 29 May 2020 12:45 AM PDT

MBC's 'Hangout With Yoo' confirms Yoo Jae Suk, Lee Hyori, & Rain will debut this summer + still considering other members - allkpop

On May 29, a spokesperson of MBC variety program 'Hangout With Yoo' relayed, "Our trainee Yoo Jae Suk will be forming a co-ed group with legendary solo dance artists Lee Hyori and Rain. The group is still in the stages of completing its puzzle pieces, and so we are considering the possibility of adding new members." 

Previously, MBC's 'Hangout With Yoo' challenged Yoo Jae Suk to a new mission of creating a new co-ed group in order to target the music scene in time for the coming summer. Viewers can look forward to the historic(?) moments where Yoo Jae Suk, Lee Hyori, and Rain come to a formal agreement to work together in their new co-ed group, on the May 30 broadcast of 'Hangout With Yoo' laster this week. 

What do you think of this brand new co-ed group so far?



2020-05-29 00:57:00Z
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3rd Malaysian actress 'quits TVB', Entertainment, Malaysia News - AsiaOne

Posted: 29 May 2020 12:45 AM PDT

3rd Malaysian actress 'quits TVB', Entertainment, Malaysia News - AsiaOne

Malaysian actress Serene Lim is rumoured to have left Hong Kong broadcasting company TVB, China Press reported.

The 24-year-old winner of the Miss Astro Chinese International Pageant removed the contact details of her TVB manager on Instagram on Wednesday, which sparked fervent speculation among fans.

If the rumours are proven to be true, Lim will be the third Malaysian actress to have left TVB this year after Vivien Yeo, 35, and Kimmy Low, 34.

Her supposed departure has also sparked rumours online that TVB is facing financial woes and having trouble paying its artistes.

Lim attended acting classes with TVB after being contracted by the company in 2017.

She has a supporting role in 2019's drama Girlie Days before being cast as the lead in the upcoming drama Line Walker 3, alongside veteran actor Raymond Lam.

ALSO READ: Malaysian-born TVB actress shares experience on giving birth during MCO



2020-05-29 04:13:00Z
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Jo Jung Suk Talks About Marriage With Gummy And Becoming A Father Soon - soompi

Posted: 29 May 2020 12:45 AM PDT

Jo Jung Suk Talks About Marriage With Gummy And Becoming A Father Soon - soompi

In a recent interview with Sports Chosun, Jo Jung Suk shared his thoughts on becoming a father!

Recently, Jo Jung Suk successfully wrapped up his tvN drama "Hospital Playlist," which recorded its highest viewership ratings with the finale at 14.1 percent viewership. Viewers have already expressed their anticipation for the second season.

Many viewers praised Jo Jung Suk for creating a character of a lifetime through "Hospital Playlist" as Yuljae Hospital's most popular doctor Ik Joon. After making his debut as a musical star, Jo Jung Suk soon became a popular actor in dramas as well. He made viewers tear up with his role as Eun Si Kyung in MBC's "The King 2 Hearts," and made viewers' hearts flutter with the romantic comedy in tvN's "Oh My Ghostess" with Park Bo Young. He also showcased an exciting romance with Gong Hyo Jin in "Don't Dare to Dream," and he continued to find success through MBC's "Two Cops," SBS's "Nokdu Flower," and the film "E.X.I.T."

On his recent drama, the actor shared that his wife Gummy enjoyed him singing "In Front of City Hall at the Subway Station" the most. He shared, "My wife always monitors all my projects as a viewer, but this time, she said that she was immersed into each of the stories rather than just my character. If in the past she focused a bit more on my character while watching, this time, she focused on the drama's story and kept watch as a regular viewer of the drama." He continued, "I also let her listen to 'Aloha' before its release, and she supported me by saying that it will receive a lot of love since it's fitting for the season. She was a great source of support."

Jo Jung Suk also talked about how he changed after marriage. He shared, "I came to like hiking. It's fun to walk together, and it's more enjoyable being with someone rather than being alone. Furthermore, life itself feels much more comfortable and stable than before. One aspect that changed after marriage is that I think more about my health."

In addition to playing a father in "Hospital Playlist," Jo Jung Suk will soon become a father in real life as well. He shared, "It was also interesting for me that the first time I tried a role as a father also overlapped with the time I'm becoming an actual father, so this role might have come closer to my heart for that reason too. Ik Joon was very similar to my idea of an ideal father. I think I was able to receive a positive influence while acting as Ik Joon by looking at his treatment of Woo Joo (Kim Joon), the way he resolves situations, and his loving heart towards his son. Therefore, if I become a father, I want to be similar to Ik Joon, and I want to become a father like Ik Joon." He added, "Now, I'm becoming a father, so I want to become an actor that my child can be proud of."

Jo Jung Suk also talked about his chemistry with child actor Kim Joon, praising him for being even more charismatic off-screen. He shared, "Really, he was so pretty that every time I saw him, I thought, 'Oh my, oh my. How can he be so cute?' Our Joon is charming and doing so well that I want to keep complimenting him." He also revealed, "When working with child actors, I try to meet them at their level and talk while leading an atmosphere that seems like we're playing. Although the time we're acting together is important, I think the time we spend together before or after filming is also really important."

"Hospital Playlist" will air its special episode on June 4 and carry out a live broadcast for "Mi Do and Parasol" through YouTube.

Watch Jo Jung Suk in "Hit-and-Run Squad" below:

Watch Now

Source (1)

How does this article make you feel?



2020-05-29 07:05:58Z
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Messi is the only player better than Neymar - former Barca president Rosell - Goal

Posted: 29 May 2020 12:42 AM PDT

Former Barcelona president Sandro Rosell said he would try to sign Paris Saint-Germain superstar Neymar as he is the second-best player in the world behind Lionel Messi.

Neymar left Barca for PSG in a world-record €222 million ($246m) transfer in 2017, but the Brazilian forward continues to be linked with a return to Camp Nou.

The 28-year-old failed to make his way back to La Liga champions Barca at the start of the 2019-20 season and he is reportedly a transfer target again.

Rosell was president when Barca signed Neymar from Santos in 2013 and the 56-year-old heaped praise on the Brazil international.

"If I were the president of Barca, I would try to sign Neymar," Rosell told COPE and Radio Marca.

"He is the second-best player in the world after Messi and fits perfectly into the philosophy of the club.

"But with experience, he would sign him with two contracts, one sports and the other behavioural."

Since swapping Barca for PSG, Neymar has won three successive Ligue 1 titles, to go with Coupe de France, Coupe de la Ligue and Trophee des Champions honours.

Neymar scored 13 league goals before Ligue 1 was suspended due to the coronavirus pandemic and PSG were eventually declared champions.

Barca, meanwhile, have been tipped to sign Inter star Lautaro Martinez in the off-season.

However, Inter have insisted Martinez will not be sold unless his release clause – reportedly worth €111m ($123m) – is met.

Rosell however believes Barca shouldn't pay such a high fee and instead try to work out a swap deal of some kind.

"I would not sign Lautaro for €111 million but I would try to exchange two players," Rosell said. 

Article continues below

La Liga has been cleared to return on June 8 following its suspension in the wake of the coronavirus pandemic. Barcelona currently hold a two-point lead over second-placed Real Madrid

Another former Barcelona president, Joan Gaspart, recently claimed La Liga would have been cancelled if Zinedine Zidane's side were top of the table when the season was suspended.

"If Madrid had finished as leader before the confinement, La Liga would have ended," he told Tertulia del 10 del Barca. 

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フジ社長「慙愧の念に堪えない」木村花さんの死受け - 日刊スポーツ

Posted: 29 May 2020 12:11 AM PDT

フジ社長「慙愧の念に堪えない」木村花さんの死受け - 日刊スポーツ

フジテレビ遠藤龍之介社長(19年6月撮影)
フジテレビ遠藤龍之介社長(19年6月撮影)

フジテレビの遠藤龍之介社長(63)は29日、出演者のプロレスラー木村花さん(享年22)が23日に亡くなたのを受けて打ちきりになった恋愛リアリティーショー「TERRACE HOUSE TOKYO 2019-2020」について以下の通りコメントを発表した。

「今回の木村花さんの痛ましい出来事に対して、改めて心からのお悔やみを申し上げます。

同時に番組制作の私どもがもっと細かく、継続的に、彼女の気持ちに寄り添うことができなかったのだろうかと慙愧(ざんき)の念に堪えません。

『テラスハウス』はリアリティーショーであり、主に若者の恋愛を軸に、それにまつわる葛藤や喜びや挫折などさまざまな感情を扱うものですが、刻々変化する出演者の心のあり方という大変デリケートな問題を番組としてどう扱っていくか、時としてどう救済していくかということについて向き合う私どもの認識が十分ではなかったと考えております。

以上のことを考慮したうえで、今回、既報の通り、同番組の制作、地上波での放送、およびFODでの配信を中止するとともに、今後、十分な検証を行ってまいります。

最後になりますが、ネット上では、出演者や関係者などへの中傷も相次いでいると聞いており、大変、憂慮しております。そういったご批判は番組を制作・放送・配信していた我々が受けるべきものと考えていることを申し添えます」。

新型コロナウイルス感染拡大防止のために、今月の定例社長会見が中止となったことを受け、ラジオ・テレビ記者会が提出した質問に文書で回答した。

27日にフジテレビと制作会社のイースト・エンタテインメントが、今後の収録及び放送、FODでの配信を中止することを発表していた。木村さんには放送内容のことで、ネット上で誹謗(ひぼう)中傷が寄せられていた。

木村さんがSNSなどで激しく誹謗中傷されたのは、同番組の第38話だった。3月末にネットフリックスで先行配信され、今月18日にフジテレビで放送された。前話で京都旅行のダブルデートをした際に、好意を持っていた同居男性に木村さんが不信感を持つ。そして、木村さんが洗濯機に入れていたプロレス用衣装に気がつかなかった、その男性が自身の衣類と一緒に衣装を洗濯、乾燥して縮ませてしまった。木村さんは「人のこともっと考えて暮らせよ」などと憤り、男性の帽子をはたき落とした。

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2020-05-29 06:00:00Z
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What next for American banks, as US says Hong Kong no longer autonomous? - South China Morning Post

Posted: 28 May 2020 11:08 PM PDT

[unable to retrieve full-text content]

  1. What next for American banks, as US says Hong Kong no longer autonomous?  South China Morning Post
  2. China parliament advances Hong Kong security law as US tensions rise - The Jakarta Post  Jakarta Post
  3. Trump's China press conference could mark the end of his cautious approach to Beijing  CNBC
  4. Hong Kong has only itself to blame for failing to implement Article 23  South China Morning Post
  5. China can't crush Hong Kong's freedom and still profit from it  The Washington Post
  6. View Full coverage on Google News


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ハンサムが過去曲をリモート再収録、佐藤健の呼びかけでチャリティTシャツも発売(コメントあり) - ナタリー

Posted: 28 May 2020 10:54 PM PDT

ハンサムが過去曲をリモート再収録、佐藤健の呼びかけでチャリティTシャツも発売(コメントあり) - ナタリー

1018

アミューズ所属の若手俳優たち"チーム・ハンサム!"が、過去楽曲「一人じゃないからね~僕らの夢と希望~」をリモートで再収録。その映像が、ハンサム公式YouTubeチャンネルで公開された。

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「一人じゃないからね~僕らの夢と希望~2020」収録参加者

「一人じゃないからね~僕らの夢と希望~」は、2011年に開催されたライブイベント「SUPER ハンサム LIVE 2011」でオリジナル楽曲として発表された楽曲。今回、作詞作曲を手がけたTAKE(FLOW)が歌詞の一部をリライトし、アレンジも新たに加えた「一人じゃないからね~僕らの夢と希望~2020」として再収録された。再収録に参加したのは、石賀和輝太田将熙甲斐翔真小関裕太鈴木仁田川隼嗣富田健太郎福崎那由他藤原大祐細田佳央太松岡広大溝口琢矢三船海斗渡邊圭祐の14人。その音源が、俳優たちが自宅で撮影した歌唱映像付きで、YouTubeにて公開された。

この発表にあたり小関は「全国の皆様に少しでも元気になってもらえるにはどうしたらいいんだろうと、今回の参加メンバー全員でリモート会議をしながら話し合っていました」と企画のきっかけを明かし、「皆様の家にこもる時間の中でどうか『寂しさに打ちのめされないように』、そしてまた笑顔で会えますように、みんなで心を込めて歌いました。お聴きください」とコメントした。

さらにこのたび、"チーム・ハンサム!"オリジナルチャリティTシャツの発売も決定した。これは先輩ハンサム・佐藤健の呼びかけにより、歴代メンバー30人が参加したプロジェクト。佐藤と上記14名のほか、青柳塁斗猪塚健太植原卓也賀来賢人風間由次郎金子大地神木隆之介桜田通平間壮一正木郁松島庄汰三浦春馬水田航生吉沢亮吉村卓也が参加者に名を連ねた。Tシャツの背面には「この局面を乗り越えたあとには虹がかかる」という意味を込め、小関が撮り下ろした空の写真がデザインされ、前面の左胸には「1人じゃない」というメッセージを込めた「OUR CREW」というロゴがあしらわれている。同商品は、オンラインショップ・アスマートで6月14日23時59分まで受注販売中。利益は全額、アミューズ募金を通じて、新型コロナウイルスにかかわる医療研究・開発および医療現場の支援に当てられる。

小関裕太 コメント

2月に15周年ライブを終えたばかりの僕らは、
僕たちに何かできないかとエネルギーに溢れていました。でも何をしたらいいんだろう。
全国の皆様に少しでも元気になってもらえるにはどうしたらいいんだろうと、
今回の参加メンバー全員でリモート会議をしながら話し合っていました。
そんな時に上がったのが、ハンサムの持ち曲「一人じゃないからね」。
「一人じゃないからね、どんなに離れていてもね、
目を閉じれば浮かんでくるよ、キミの笑顔は"希望"」
と、まさにこの時期の不安な心に手を差し伸べてくれる歌詞でした。
さらに今回歌詞を作詞のTAKEさんが、少しこの時期に合わせてくださり、
より一層僕らの想いも強くなりました。
例えば「慌ただしい日々の中でも」を「寂しさに打ちのめされても」など。
皆様の家にこもる時間の中でどうか「寂しさに打ちのめされないように」、そしてまた笑顔で会えますように、みんなで心を込めて歌いました。お聴きください。

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2020-05-29 05:29:06Z
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Can you spot deer's predator in this picture? This viral image has left internet baffled - DNA India

Posted: 28 May 2020 10:47 PM PDT

Is your eyesight good enough to see a deer's predator hidden in this picture?

A picture is going viral asking you to find a predator hidden in it. At first glance, it's hard to believe there is anything hidden in this straight-forward picture which shows a deer surrounded by shrubs, grass, and plants. But this one is really tricky and will leave you baffled.  

Yesterday, Indian Forest Service Officer Ramesh Bishnoi took to Twitter and shared an image asking his followers to find a predator in the image. Known for his wildlife-centric posts, he shared the image with the caption "Eye contact with predator and prey. Can you spot the predator?". 

Here's the image...

Time's up! Can you find the hidden animal in this image? 

If yes, do comments below where the deadly predator is, and how much time did you take to find it?  Here are some reactions...

'Omg, what perfect hiding', wrote one user. 'The ear gave it away', wrote another.

One thing has been proven beyond doubt – we, humans, can lose our mind for some really bizarre reasons. 

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ハンサムが過去曲をリモート再収録、佐藤健の呼びかけでチャリティTシャツも発売(コメントあり) - 映画ナタリー

Posted: 28 May 2020 10:16 PM PDT

ハンサムが過去曲をリモート再収録、佐藤健の呼びかけでチャリティTシャツも発売(コメントあり) - 映画ナタリー

548

アミューズ所属の若手俳優たち"チーム・ハンサム!"が、過去楽曲「一人じゃないからね~僕らの夢と希望~」をリモートで再収録。その映像が、ハンサム公式YouTubeチャンネルで公開された。

チャリティTシャツプロジェクト参加者

チャリティTシャツプロジェクト参加者

大きなサイズで見る(全2件)

「一人じゃないからね~僕らの夢と希望~2020」収録参加者

「一人じゃないからね~僕らの夢と希望~2020」収録参加者

「一人じゃないからね~僕らの夢と希望~」は、2011年に開催されたライブイベント「SUPER ハンサム LIVE 2011」でオリジナル楽曲として発表された楽曲。今回、作詞作曲を手がけたTAKE(FLOW)が歌詞の一部をリライトし、アレンジも新たに加えた「一人じゃないからね~僕らの夢と希望~2020」として再収録された。再収録に参加したのは、石賀和輝太田将熙甲斐翔真小関裕太鈴木仁田川隼嗣富田健太郎福崎那由他藤原大祐細田佳央太松岡広大溝口琢矢三船海斗渡邊圭祐の14人。その音源が、俳優たちが自宅で撮影した歌唱映像付きで、YouTubeにて公開された。

この発表にあたり小関は「全国の皆様に少しでも元気になってもらえるにはどうしたらいいんだろうと、今回の参加メンバー全員でリモート会議をしながら話し合っていました」と企画のきっかけを明かし、「皆様の家にこもる時間の中でどうか『寂しさに打ちのめされないように』、そしてまた笑顔で会えますように、みんなで心を込めて歌いました。お聴きください」とコメントした。

さらにこのたび、"チーム・ハンサム!"オリジナルチャリティTシャツの発売も決定した。これは先輩ハンサム・佐藤健の呼びかけにより、歴代メンバー30人が参加したプロジェクト。佐藤と上記14名のほか、青柳塁斗猪塚健太植原卓也賀来賢人風間由次郎金子大地神木隆之介桜田通平間壮一正木郁松島庄汰三浦春馬水田航生吉沢亮吉村卓也が参加者に名を連ねた。Tシャツの背面には「この局面を乗り越えたあとには虹がかかる」という意味を込め、小関が撮り下ろした空の写真がデザインされ、前面の左胸には「1人じゃない」というメッセージを込めた「OUR CREW」というロゴがあしらわれている。同商品は、オンラインショップ・アスマートで6月14日23時59分まで受注販売中。利益は全額、アミューズ募金を通じて、新型コロナウイルスにかかわる医療研究・開発および医療現場の支援に当てられる。

小関裕太 コメント

2月に15周年ライブを終えたばかりの僕らは、
僕たちに何かできないかとエネルギーに溢れていました。でも何をしたらいいんだろう。
全国の皆様に少しでも元気になってもらえるにはどうしたらいいんだろうと、
今回の参加メンバー全員でリモート会議をしながら話し合っていました。
そんな時に上がったのが、ハンサムの持ち曲「一人じゃないからね」。
「一人じゃないからね、どんなに離れていてもね、
目を閉じれば浮かんでくるよ、キミの笑顔は"希望"」
と、まさにこの時期の不安な心に手を差し伸べてくれる歌詞でした。
さらに今回歌詞を作詞のTAKEさんが、少しこの時期に合わせてくださり、
より一層僕らの想いも強くなりました。
例えば「慌ただしい日々の中でも」を「寂しさに打ちのめされても」など。
皆様の家にこもる時間の中でどうか「寂しさに打ちのめされないように」、そしてまた笑顔で会えますように、みんなで心を込めて歌いました。お聴きください。

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Kante returns to Chelsea for solo training ahead of Premier League restart - Goal

Posted: 28 May 2020 09:42 PM PDT

N'Golo Kante has returned from compassionate leave to train with Chelsea, giving encouragement that he could return for the restart of the Premier League season - but he is opting to train alone at Cobham.

Frank Lampard and the rest of the Chelsea hierarchy had given their blessing for the midfielder, who had safety concerns about the Premier League's Project Restart plans amid the coronavirus pandemic, not to immediately return to group training.

After a negative Covid-19 test ahead of the first day of training on Tuesday, the 29-year-old did complete one session before communicating his concerns ahead of missing the work-out on Wednesday.

The Premier League has since moved forward to allow Phase Two training - full contact sessions between players - and it has indicated that Chelsea's first match will be on the weekend of June 19.

Indeed, the Blues conducted a limited-contact session on Thursday but the 29-year-old trained away from the group which now sees Christian Pulisic, Mateo Kovacic and Tammy Abraham all back from spells out injured.

There will be optimism that Kante will play a part in the final nine league games of the season plus a possible extra three FA Cup games with the Blues, who were drawn away to Leicester City in the quarter-finals.

Kante has had an injury-hit season and had just returned after being out for a spell before football shut down in March amid the coronavirus pandemic.

There is plenty still unknown about risk factors associated with the highly contagious and deadly virus, but data from the Office of National Statistics suggest black men and women are almost twice as likely to die from Covid-19. This is even when factors such as health, disability, household composition and area deprivation are considered.

Kante also collapsed in the dressing room at Cobham in March 2018 in front of his team-mates, which led to him missing a match against Manchester City. Subsequent cardiology tests, however, cleared him of concerns about his heart.

The former Leicester City star's older brother, Niama, died of a heart attack before the World Cup in 2018 and the midfielder also lost his father when he was 11 years old.

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The first Premier League games will be played on June 17 with Manchester City versus Arsenal and Aston Villa against Sheffield United.

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Posted: 28 May 2020 08:44 PM PDT

Dallas-based Polte Corporation has announced a new partnership with CoreKinect to launch new IoT-powered supply chain tracking solutions for enterprises across the globe.

In teaming up, the two companies will address operational efficiency and real-time asset visibility in the supply chain. It's a rapidly evolving demand, the duo said in a release.

"Global supply chains have been impacted by the ripple effects of COVID-19, partially due to a lack in visibility of their assets," Polte CEO Ed Chao said. "Where companies were once able to track hundreds of trucks, they can now track the millions of assets and packages that are inside the trucks."

Chao said Polte will be able to provide accuracy sufficient for the majority of IoT use cases, while at the same time solving any limitations that come with competing technologies.

Polte is an innovator in "Cloud Location over Cellular" technology, or C-Loc, with the company's patented alternative to GPS. The platform works by leveraging the ubiquitous 4G and 5G networks that are widely available worldwide. The technology allows manufacturers, distributors, and sellers of goods to more effectively track, manage, and geolocate millions of distributed assets, the company says.

It's the next generation of traditional GPS for IoT—the cellular networks and cloud computing is able to provide highly accurate indoor and outdoor location, Polte explains. A variety of sectors—supply chain, logistics, manufacturing, healthcare—are also able to drive down costs and power. And, through Polte's unique architecture, called Lite-Touch, 4G and 5G cellular-connected devices have extended battery life, which eliminates the need for GPS for vendors.

Polte's new partner, Arizona-based startup CoreKinect, provides scalable IoT hardware design and manufacturing. The company says it's changed the way IoT solutions are delivered. CoreKinect has developed products in asset tracking, vehicle and fleet management, smart home, smart city, wearables, agriculture, and energy management, according to a statement.

With the announcement, Polte's location technology will be embedded into CoreKinect's proprietary hardware architecture. The companies said this will fill a hole in the market, specifically for smaller, individual assets like packages and pallets traveling indoors and out.

Oftentimes, GPS, Wi-Fi, and BLE fall short. Many IoT asset tracking use cases rely on traditional location tech, which isn't typically designed for IoT. Issues range from steep upfront deployment costs to complex amalgamations to security vulnerabilities, Polte notes. 

"Polte's and CoreKinect's solution solves the inherent challenges of today's approaches by enabling rapid, simplified deployments," the companies said in the announcement. "By providing more security, less bulk, lower cost, and longer battery life, Polte and CoreKinect are redefining what is possible with Enterprise IoT."

It's a two-sided operation: Polte's existing Mobile IoT networks scrap the need for additional infrastructure, while CoreKinect's devices allow for seamless scalability without compromising quality. 

For enterprises to adopt IoT, it's critical to offer a "truly low-cost, scalable solution," CoreKinect CEO and Co-founder Assar Badri said in a statement.

With CoreKinect's scalable and modular design expertise, the companies can unlock "a whole new range of use cases" that can give companies the insights and transparency they need to take action—in real time, he noted.

Last year, Polte raised $12.5 million in strategic funding from private investors. With the Series A-2 funding, Polte planned to focus on boosting the commercial and industrial applications of its platform.

Chao was also named one of Dallas Innovates' Future 50 Innovators you need to know right now.

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"All the use cases that come out of how people want to use the technology are really, really, really inspiring," Chao told us. "From saving lives to securing the food supply."

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Lady Gaga's Road To 'Chromatica' Is A Revolving, Evolving Dance Floor - NPR

Posted: 28 May 2020 08:08 PM PDT

Lady Gaga performs in Miami in February. Following a turn to traditional pop and roots rock on recent projects, the singles from her forthcoming sixth album, Chromatica, have indicated a return to the maximalist dance pop that first made her famous. Theo Wargo/Getty Images hide caption

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Back before Stefani Joanne Angelina Germanotta became Lady Gaga, she spent five nights a week dancing at dive bars and gay clubs across New York City. The rising BPMs soundtracked her last call epiphanies, and their hallmarks left a glitter-flecked imprint on her songwriting. Her musical framework was forged in her favorite Lower East Side haunts, and her debut album, 2008's The Fame, paired clever, cheeky wordplay with her beloved four-on-the-floor beats. She would take detours through other genres — '70s piano balladry, '80s bar band rock, jukebox country twang, Hollywood bravado and disco — but the dance floor was her dependable stomping ground from The Fame through 2013's Artpop.

At the time, Cheek to Cheek, 2014's album of jazz duets with Tony Bennett, felt like a way to flex a different kind of diva muscle. But after shelving her electronic inclinations while focusing on their lounge act, she leaned into the creative reset that gave her space from the sound that had come to define her. When she eventually returned to the studio to record her fifth album, Joanne, it was in pursuit of a completely new sonic palette, one that banked on guitars instead of the thudding pulse of '90s house. A glimmer of a dance hit came in 2017 when she released her stand-alone single "The Cure," but Gaga's synthetic impulses have mostly remained dormant for the last half decade — until Chromatica, her sixth studio album out May 29.

The dance-pop of Chromatica may seem like a work of Little Monster fan-service, a batch of bangers and blockbuster music videos that recall her greatest hits. But Chromatica is both a return to form and a full-circle moment, a complete revolution back to the music she not only loves to perform, but loves to hear. "Just Dance" remains timeless and "Shallow" is forever, but Chromatica is where she's at right now: happy, hopeful and healing in her hard-won electro-pop utopia. Here's how she got there.


Lady Gaga at Glastonbury on June 26, 2009. Two weeks later she would release "Paparazzi" as a single, which would go on to become the fourth top 10 hit from her debut album, The Fame. AFP/Getty Images hide caption

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The Club Kid Becomes The Fame Monster (2008-2010)

Two attributes were consistent in early coverage of Lady Gaga: Everyone agreed that her songs were undeniable earworms, and everyone fixated on her apparent allergy to pants. In the spring of 2006, Gaga — then simply Stefani Germanotta, a born and bred New Yorker with a powerful voice and years of piano lessons under her belt — dropped out of New York University to pursue her music career. She moved into the cheapest apartment she could find in the Lower East Side, and began working with producer Rob Fusari. He was impressed by her piano ballads, but encouraged her to tap into the rhythms of her downtown life by working a drum machine into their sessions. She welcomed the instrumental change-up, and carried over her keen sense of melody and lyrical dexterity.

She signed with Interscope, who released The Fame in August 2008. "Just Dance," the first single, was inspired by the many blacked-out nights she spent on the sticky club floors of her neighborhood — as were her disco ball bustiers, giant shades, towering platforms and leotards, which established her signature style.

Critical and commercial success came quickly: "Just Dance" earned her first nomination (for best dance recording) at the 51st annual Grammy awards before reaching No. 1 on the Billboard Hot 100 chart in January 2009. "Poker Face" hit No. 1 three months later. She won best new artist at the MTV Video Music Awards that fall, and released The Fame Monster, a reissue of The Fame including an EP of new material, that November. Some of The Fame Monster's songs — namely "Telephone," her duet with Beyoncé — extended The Fame's throughline of cohesive, edgy-yet-approachable Top 40 gems. But the majority of the nine new Fame Monster tracks were an eclectic mix, one that included Elton-esque ballads ("Speechless") and industrial dashes of Europop (the Ace of Bass-channeling "Alejandro").

"Bad Romance," in particular, dumped a bucket of kerosene on the fire of Gaga's creativity that culminated in a dangerous, high-fashion music video. "Bad Romance" introduced a new component — a high-concept narrative — into her typical mix. She looks, and sounds, beyond human in her sightless latex bodysuits; she'd played with cartoonish styling on tour and in her "Paparazzi" video, but she was always an amplified version of herself, never alien. Now her appearance grew more eccentric and daring with the drop of each new single. Dresses weren't sewn from fabric, but made of plastic bubbles or drapes of raw meat; music videos sprawled into 7-minute arthouse epics with plots, social commentary and status symbols. ("Bad Romance" featured original designs by Alexander McQueen; the song would soundtrack his spring 2010 runway show.)

Her first two years as a recording artist were triumphant, and they laid the foundation for the decade to come: She prioritized experimentation so early on that stylistic reinvention — elevated to new levels to accompany every new piece of music — became her constant.


Gaga, emerging from an egg during a performance of "Born This Way at the 2011 Grammy Awards in Los Angeles. Mark Ralston/Getty Images hide caption

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The Rise of Mother Monster (2011-2013)

At the 2011 Grammy Awards, Gaga did not walk the red carpet, but instead curled up inside a giant egg and was carried, on a platform, into the ceremony by a group of her dancers. When she climbed out of another egg at the start of her performance of "Born This Way" during the show, she debuted a severe new look: Prosthetics were adhered to her shoulders, and sharp angles replaced the curves of her forehead and cheekbones to alter the human framework of her body. The spotlight hit these monstrous peaks as the disco beat of a brand new rock anthem filled the Staples Center: "I'm beautiful in my way / 'Cause God makes no mistakes / I'm on the right track, baby I was born this way."

When the "Born This Way" video dropped two weeks later, it was clear that Gaga's new look was a part of a bigger plan — one she had earned the freedom to explore with the whole world watching. "Born This Way" took off, and launched her into space: The seven-minute music video weaves a tale of an alien goddess, "Mother Monster," who gives birth to an all-inclusive "race within the race of humanity" that loves and accepts everyone — "no matter gay, straight, or bi / Lesbian, transgender life... black, white, or beige Chola or orient made.".

The metamorphosis was largely physical, as Born This Way amped up the strongest aesthetics of The Fame Monster and her growing involvement in LGBTQ advocacy (namely her work to repeal Don't Ask Don't Tell in 2010). Squelchy, industrial club staples were found in "Judas" and "Scheiße" this time around, while "Marry the Night" and "Edge of Glory" carried the anthemic, '80s pop quality of "Speechless." (There were zero degrees of separation between the inspiration and the material, in some cases: the melody of "Born This Way" was so close to Madonna's "Express Yourself" that the Queen of Pop commented on the similarities herself, and "Edge of Glory" and "Hair" featured the E Street Band's beloved saxophonist, Clarence Clemons.)

Critics were divided, as some adored the throwback excess that pumped through the album, while others found it derivative and noted her LGBTQ allyship more apparent in her "egalitarian use of house beats" than her lyrics. And for some listeners, the bridge struck the opposite of an inclusive note: as one critic put, "Gaga said she wrote this in ten minutes; rhyming 'chola descent' with 'Orient' is what happens when you do that." Still, her chart position and ticket sales soared: Born This Way debuted at No. 1 on the Billboard 200, her first album to do so, after "Born This Way" topped the Hot 100 (thanks to the promotional bump from the Grammys). By the time she wrapped her two-year Monster Ball trek in May of 2011, the tour had drawn 2.5 million people across the world; 1.16 million viewers then tuned in for her Lady Gaga Presents: The Monster Ball Tour at Madison Square Garden concert special on HBO the day after the tour closed. The Born This Way Ball built on that momentum, but the music had now grown into the space: "Born This Way" was tailor-made for tens of thousands of people to sing along to, and Gaga finally had the grand, glam manifesto suitable for such a space.

Every metric indicated that Gaga's instincts — to make the music that had made her, essentially — had led her to pop domination. But risks don't always return rewards, even when they're confident and calculated, and the conceptual gamble of 2013's Artpop left many devoted listeners scratching their heads: She "designed" the record "to be fun from start to finish, like a night at the club in terms of the DJing aspect of it," which worked for her fans but fell flat with those seeking crowdpleasers. Artpop's frenetic pace split critics, as did the choices she made: Its R. Kelly duet "Do What U Want" was eventually scrubbed from streaming services, and the lasting image from the Artpop era is one of her getting sprayed with neon vomit by a performance as a part of her 2014 South By Southwest set.

The album isn't without high points and intellectual challenges. The adrenaline surge of its first single, "Applause," stressed her devotion to her art and interrogated her place on the high/low cultural spectrum — a welcome smirk after Born This Way's sincerity. But no other single from the album cracked the top 10. Gaga would later joke, "I don't remember ARTPOP" on Twitter, though it remains a fan favorite. "I don't regret my art, and wouldn't suggest anyone do," she told Paper in a recent cover story. "Every album has been exactly what I wanted to make at that time. It's just there was a period where I think I forgot about where I was."


For her 2016 album Joanne, Gaga unveiled a new look to go with a sound that leaned toward rock and country. Behrouz Mehri/Getty Images hide caption

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Behrouz Mehri/Getty Images

The Return of Stefani Joanne Angelina Germanotta (2016-2019)

Given her classical training and life-long appreciation for the great American songbook, teaming up with Tony Bennett was hardly a left-field move. The only surprising element of the collaboration was how drastic of a shift it was from the intense aesthetics of Artpop. The jazz interlude was a lucrative one: Cheek to Cheek debuted at No. 1, and Gaga fully leaned into her and Bennett's lounge act. She dressed the part too, trading the bodysuits and fluorescent wigs for maribou and Marilyn Monroe waves — a makeover fit for a vintage Hollywood starlet. Stepping out of Mother Monster's shadow and back into the jazz of her pre-Fame days offered a respite. She focused on honing her vocal chops alongside a legend, and the simple, slower pace gave her a sense of calm that her own music did not.

"He's brought out a subtlety in me that I've missed for a while, because my life is very noisy," Gaga told NPR in 2014. "It's a lot harder to sing with auto-tune, in a way, you know? It's a lot harder to sing with rigid electronic music and lots of spectacle. It can be very difficult, because it's not always extremely natural."

The "spectacle" stayed on the shelf as her work in film and TV kept her busy. Her first release of original music since Artpop was the award-winning "Til It Happens to You," a stirring, orchestral ballad she co-wrote with Diane Warren and performed at the 2016 Oscars. Penned for The Hunting Ground, a documentary about sexual abuse on college campuses, "Til It Happens to You" pulled from the experience of Gaga's own harrowing sexual assault. A group of fellow survivors joined her at the piano at the conclusion of the Oscars performance, and they were met with a tearful standing ovation: Without the distraction of costume or concept, Gaga's humanity shone through in a way her fans had never seen before.

When Joanne followed that September, she continued to speak candidly on her most personal experiences. She named the album after her aunt, who died from Lupus complications years before she was born, and wrote a plaintive lullaby for that namesake. This vulnerability extended to every aspect of her life, even when it involved confronting deep pain and physical trauma on camera. The Netflix documentary Five Foot Two tracked the making of Joanne — produced by hitmakers Mark Ronson and BloodPop — as well as the end of her engagement to longtime love Taylor Kinney, her struggles with fibromyalgia and the impossible balancing act of a famous person's daily grind. (It also casually mentioned that Bradley Cooper had cast her as the lead in his upcoming adaptation of A Star Is Born.) The film ends with the beginning of her performance at Super Bowl LI, and we're reminded that Gaga has lived many lives over the course of her career: She can suit up in a platinum leotard and throw herself off the roof of Houston's NRG Stadium to belt out "Just Dance" and "Born This Way" as if it's just another work day, but at no point does she pretend it's easy.

Eventually, the characteristically wacky productions and massive tours returned — Jonas Åkerlund, who directed her "Paparazzi" and "Telephone" videos, signed on for the demented Dukes of Hazzard-esque romp of "John Wayne" — but Joanne may as well have been titled Gaga: Unfiltered for its deep personal ties and acoustic country undertones. By the time she performed Joanne's honky tonk romp "A-Yo" on Saturday Night Live, she'd struck a balance between the stark concept of the album and the familiar flamboyance of her live set. In a sparkling crop top and fringed pair of booty shorts, she was the Southern-fried vision of her most fabulous self, a pop star who sneered as she picked up a guitar and didn't play it like a prop. She had reached a point where she could seamlessly flow between the genres she collected without the eye-popping set pieces and wardrobe. She was the show — and she could take it wherever she wanted.

Before shooting commenced for A Star Is Born in the spring of 2017, Gaga headlined Coachella and debuted a new single, soft-pop confection "The Cure," in the middle of her set. (Though it sounds like it could be a smash for Ally, the songwriter-turned-pop star she played in A Star Is Born, the song had no connection to the film.) Shortly after A Star Is Born hit theaters in 2018, Lady Gaga's star power hit supernova status: Both she and Cooper received heaps of praise for "Shallow," the duet they recorded for the film, which delivered another No. 1 for Gaga and a handful of trophies, including an Oscar, come awards season.


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Queen of the Kindness Punks (2020)

If the Power Rangers clashed with half the cast of Mad Max: Fury Road and worked out their differences through a dance party at Burning Man, it would look, and sound, like "Stupid Love" — Gaga maximalism revived.

The pop star took a page out of the sci-fi playbook for the music video for Chromatica's first single. A brief prologue hovers over an undulating life form as dramatic instrumentals swell. "The world rots in conflict," it reads. "Many tribes battle for dominance. While the Spiritual ones pray and sleep for peace, the Kindness punks fight for Chromatica ..."

Enter Gaga, clad in bubblegum pink battlegear and sprinting towards a desert rager. She leads a pack of these rosy "Kindness punks" through a landscape of sparkling rock formations before they reach a group of feuding tribes and squash a fight in progress. Tension dissolves into celebration, and ecstatic synths cascade as she repeats her mantra — "All I ever wanted was love" — as the pre-chorus builds into a new wave explosion. She's the picture of bliss, twirling and leaping among the Kindness punks in this world of her own creation.

In the weeks leading up to Chromatica's debut, Gaga released a string of visuals and singles that ran with the futuristism of "Stupid Love," while hinting at a dark urgency underpinning the escapist vibe . On the album's cover, Gaga is trapped — or restrained — under the weight of a metallic sine wave. Everything she wears could double as a weapon: The heel of one boot is a bloody tusk, the other a butcher knife and spikes abound from her shoulders to her nails. In the video for her Ariana Grande collaboration "Rain On Me," storm clouds hurl raindrops and knives from the heavens. One pierces Gaga's thigh, and she pulls it out, screaming, before she crawls to safety and dances the pain away with Grande. The dance floor is her refuge, and she can heal here, even if the deluge won't quit: "I'd rather be dry but at least I'm alive." Order is restored when the violence abates and electro-pop saves the day.

In interviews, Gaga has stuck to lofty, vague descriptions of the album's concept. After she declared that "earth is canceled," she told Zane Lowe that Chromatica — also helmed by BloodPop — is a "beautiful abstraction of my perception of the world." She clarified to Paper that Chromatica was not a space rock, as her music videos hinted at, but a state of mind: "It's a perspective... I might sound silly, but I'm on it right now — I'm not on another planet. If you see and listen to Chromatica, and you want to live there, too, you're invited. But I do want to be clear that it's not a fantasy."

Plenty of people want to join her, if "Stupid Love," "Rain On Me" and now "Sour Candy" — her runway-ready collaboration with K-pop girl group BLACKPINK — offer any indication. The first debuted atop Billboard's Hot Dance/Electronic songs chart, and the latter racked up 20 million YouTube plays within 24 hours of its arrival. Gaga, in all her unpredictable, bass-thumping glory, is back — and the club kid never really left.

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Twitter、予約投稿をTwitter.comで可能に - ITmedia

Posted: 28 May 2020 07:40 PM PDT

Twitter、予約投稿をTwitter.comで可能に - ITmedia

 米Twitterは5月28日(現地時間)、昨年からテストしていた予約投稿機能を、まずはWebアプリ(Twitter.com)で利用可能にしたと発表した。

 使い方は、Twitter.comの投稿作成画面に追加されたカレンダーアイコンをクリックし、投稿したい日時を指定するだけだ。

 draft 1 カレンダーアイコンをクリックすると
 draft 2 投稿時間を設定するウィンドウが表示される

 この機能がモバイルアプリでも利用できるようになるかどうかについてはTwitterは言及していない。「今のところデスクトップとモバイルWebでのみ使える」としている。

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2020-05-29 01:19:00Z
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Premier League is back: Aguero's goals, youthful United – the best 'Big Six' stats this season - Yahoo Sports

Posted: 28 May 2020 06:42 PM PDT

The 2019-20 Premier League campaign has at last been given a provisional date from which to resume.

The competition, suspended in March due to the coronavirus pandemic, will return from June 17 and, all being well, be played to its conclusion.

The disruption came with Liverpool just two wins away from a first league title in 30 years, while Manchester United had been improving in pursuit of Champions League qualification.

With the help of Opta, we take a look at the most interesting facts relating to England's 'Big Six' and their campaigns so far.


LIVERPOOL

- Jurgen Klopp's side are top of the pile but do not look as defensively solid as they did in the 2018-19 season. Liverpool have conceded 21 times in the league this term, just one goal fewer than in their entire previous 38-game campaign.

- Roberto Firmino finally ended a long wait for an Anfield goal against Atletico Madrid in March. It was his first home Liverpool strike in 20 games in all competitions since netting against Porto in April 2019, 337 days earlier.

- The Reds were just starting to wobble slightly. With the defeat at home to Atletico, Liverpool had lost four of their past six matches in all competitions – as many defeats as in their previous 67 games.


MANCHESTER CITY

- Manchester City have lost seven Premier League games this season, one more than in their previous two campaigns combined.

- Heading into the break, Sergio Aguero had scored 180 Premier League goals for Manchester City. Only Wayne Rooney – 183 for United – has scored more for a single team in the competition's history, with Aguero passing Thierry Henry – 175 for Arsenal – earlier this term.

- Kevin De Bruyne is the first player to register 15 or more assists in three different Premier League seasons. Only Cesc Fabregas had previously done so in more than one campaign.


CHELSEA

- Chelsea have lost five Premier League home games already this season. Only in 1994-95 – seven times – have they been beaten more often at Stamford Bridge.

- The Blues are also winless away from home in the league in 2020, drawing three and losing one of their four matches. They last endured a longer such run in the 2015-16 season, failing to taste victory over seven straight away trips.

- Frank Lampard has been reliant on homegrown talent this season. Only Leicester City (31) and Southampton (24) have more goals from English players than Chelsea's 21 – level with United.


MANCHESTER UNITED

- United are unbeaten in 11 in all competitions, but their points return of 45 is still their lowest through 29 games of a Premier League season.

- Bruno Fernandes inspired their change in fortunes, though, and he has been involved in more Premier League goals (five – two goals, three assists) since his February 1 debut than any other player.

- At 25 years and 86 days old, United have the youngest average starting XI in the Premier League this season.


TOTTENHAM

- No side have kept fewer clean sheets in the Premier League than Tottenham's four this season. The last time they kept so few in the first 29 matches of a campaign was in 2006-07 (also four).

- Spurs had been missing Harry Kane (131.18 minutes per goal), Son Heung-min (152.31 mins per goal) and January signing Steven Bergwijn (280.5 mins per goal) through injury. Dele Alli has the best minutes per goal ratio – 298 – among the rest of the squad in all competitions this season. Perhaps the break may have done them some good...


ARSENAL

- Arsenal have drawn 13 Premier League games this season – already their highest such tally since 17 in 1993-94.

- Pierre-Emerick Aubameyang's 17 goals have been worth 16 points to Arsenal this season. Only Sadio Mane's 14 goals have been worth more (18 points) to a single club.

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Dow futures fall 100 points ahead of Trump's U.S.-China news conference on Friday - CNBC

Posted: 28 May 2020 06:08 PM PDT

A Chinese and U.S. flag at a booth during the first China International Import Expo in Shanghai, November 6, 2018.

Johannes Eisele | AFP | Getty Images

Stock futures slipped on Thursday night as traders braced for an upcoming news conference on U.S.-China relations from President Donald Trump.

Dow Jones Industrial Average futures dipped 107 points, or 0.4%. S&P 500 and Nasdaq 100 futures also posted slight losses. 

Trump said Thursday afternoon he would hold the news conference, knocking stocks down from solid gains. That announcement came after China approved a national security bill for Hong Kong that experts warn could endanger the city's "one party, two systems" principle. That principle allows for additional freedoms that mainland China residents don't have.

Tensions between China and the U.S. have risen lately as Trump criticizes the Chinese government's response to the coronavirus outbreak. U.S. lawmakers have also been critical of China increasing its stronghold over Hong Kong.

Paul Christopher, head of global market strategy at Wells Fargo, said he expects more rhetoric from the U.S. regarding Hong Kong and China, noting: "It could end up being a headwind once the market finishes pricing in all of this hopium."

Futures also fell after Salesforce issued disappointing guidance for the second quarter. The company expects earnings ranging between 66 cents a share and 67 cents a share. Analysts polled by FactSet expected earnings guidance of 74 cents per share. Salesforce shares dropped 4%.

The Dow closed Thursday's session down nearly 150 points, or 0.6%. The S&P 500 and Nasdaq Composite lost 0.2% and 0.5%, respectively.

Despite those losses, the major averages remained on pace for solid weekly gains. The Dow and S&P 500 are up more than 2.7% each week to date while the Nasdaq has advanced 0.5%.

That weekly advance comes as traders increase bets on a successful reopening of the economy.

"The market has discounted the coronavirus very quickly and has correctly predicted the apex of the virus," said Mike Katz, partner at Seven Points Capital. "Having said all that, prices are up there. The S&P 500 trading above 3,000 is pricing in a full recovery."

"If there is a second wave of the virus that ends up being more detrimental than people think, then I would think the S&P 500 is not valued correctly," said Katz.

Subscribe to CNBC PRO for exclusive insights and analysis, and live business day programming from around the world.

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WATCH: Midland leaders hold community discussion following viral arrest video - NewsWest9.com

Posted: 28 May 2020 05:47 PM PDT

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WATCH: Midland leaders hold community discussion following viral arrest video  NewsWest9.com

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Washtenaw County sheriff reacts to excessive force investigation following ‘disturbing’ viral video - WDIV ClickOnDetroit

Posted: 28 May 2020 05:47 PM PDT

WASHTENAW COUNTY, Mich. – Washtenaw County Sheriff Jerry Clayton spoke to Local 4 regarding a viral video that has prompted outrage. He said the video doesn't reflect the true image of the department.

Clayton says as an African American and the sheriff of Washtenaw County it was disheartening to watch the video of one of his deputies repeatedly punching a woman while trying to make an arrest.

READ: Investigation underway after video goes viral showing Washtenaw County deputy striking woman during arrest

"Obviously, it's an unfortunate situation. The images themselves are disturbing to me," said Sheriff Clayton.

That's the reason why he wants the residents of the county and the rest of the world that's watching via social media to know those actions don't represent the department at all.

"We have spent over a decade working and culturing the organization and partnering with the community and co-producing public safety," recalled Sheriff Clayton.

READ: Rep. Debbie Dingell: Violent arrest of woman 'very serious setback' for Washtenaw community

But that's not stopping the mass numbers of protesters downright angry at what took place.

The sheriff also believes this couldn't have happened at a worse time.

"We had this incident on Tuesday all combined with what's happening in Minnesota and Georgia and Louisville and quite frankly -- what has happened in the African American community, especially with relationships with the police for decades," Clayton said.

As of now, the deputy involved is on paid administrative leave at least until the results of the Michigan Sheriff's Association investigation are revealed.

"We have asked them to make it a high priority so we can get what we need so we can make the decisions that we need to make," Clayton said.

The couple originally arrested in this incident have been released. It's unclear if they'll be charged, that's also pending the investigation.


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【5月29日付】本日発売の単行本リスト - コミックナタリー

Posted: 28 May 2020 05:40 PM PDT

【5月29日付】本日発売の単行本リスト - コミックナタリー

コミックナタリーより、本日5月29日に発売される単行本をお知らせいたします。本日発売の雑誌リストはこちらから。

キルタイムコミュニケーション

「あくヨメ(3)」 マツダユウスケ

実業之日本社

「のんびりヌルントゥルン(上)」 野村宗弘/宮里寿巳
「のんびりヌルントゥルン(下)」 野村宗弘/宮里寿巳

主婦と生活社

「悪役令嬢、時々本気、のち聖女。(1)」 武浦すぐる/もり/あき
「北欧貴族と猛禽妻の雪国狩り暮らし(4)」 白樺鹿夜/江本マシメサ/あかねこ

小学館

「あさひなぐ(33)」 こざき亜衣
「結婚アフロ田中(7)」 のりつけ雅春
「釣りバカ日誌(105)」 北見けんいち/やまさき十三
「トクサツガガガ(19)」 丹羽庭
「パッカ(1)」 今井大輔
「壁ドン!(5)」 佐久間力
「あの月に向かって打て!(1)」 寒川一之
「颯汰の国(4)」 小山ゆう
「黄昏流星群(62)」 弘兼憲史
「警眼―ケイガン―(3)」 早坂ガブ
「こはぜ町ポトガラヒー ~ヒト月三百文晦日払~(2)」 昌原光一
「ぽんこつポン子(5)」 矢寺圭太
「BABEL(6)」 石川優吾
「新黒沢 最強伝説(18)」 福本伸行
「リボーンの棋士(6)」 鍋倉夫
「前科者(5)」 月島冬二/香川まさひと
「劉邦(7)」 高橋のぼる
「土竜(モグラ)の唄(67)」 高橋のぼる
「デビルマンサーガ(13)」 永井豪とダイナミックプロ

少年画報社

「マンガで分かる心療内科(19) ゲーミフィケーション編」 ソウ/ゆうきゆう
「心理学は役に立たない!?(3)」 ソウ/ゆうきゆう
「異世界狙撃手は女戦士のモフモフ愛玩動物(1)」 いのまる/光永康則
「鬼を飼う(6)」 吉川景都
「夜明け前に死ぬ(2)」 大北真潤

竹書房

「幕が下りたら僕らは番」 ざらめ鮫
「サキュバス学園の犬ッ!!(2)」 ナックルカーブ
「24時間オチないKISS(2)」 加藤スス
「寄性獣医・鈴音(12)」 春輝

日本文芸社

「スンデレ!(10)」 夏目文花
「天牌(104)」 嶺岸信明/来賀友志
「Dr.吟子はただいま痴療中(2)」 林崎文博
「太閤えっち」 荒木俊明
「テレパス少女の考えてる事はわからない」 蒼津ウミヒト

白泉社

「フットボールアルケミスト(1)」 12Log/木崎伸也
「ウサギコットン100%(2)」 TONO
「メビウスハート ―ディアティア外伝―(1)」 かずまこを
「てっぺんぐらりん~日本昔ばなし犯罪捜査~(2)」 キリエ
「プリズン・オブ・ヘルランド」 杉山惇氏
「進撃のえろ子さん~変なお姉さんは男子高生と仲良くなりたい~(2)」 此ノ木よしる
「3月のライオン昭和異聞 灼熱の時代(10)」 西川秀明/羽海野チカ

芳文社

「Api(7)」 アンソロジー

マイクロマガジン社

「アイヲンモール異世界店、本日グランドオープン! THE COMIC(2)」 ほづみりや/坂東太郎

マッグガーデン

「犲の残業に笑う」 やち/唐々煙
「MARS RED(1)」 唐々煙/藤沢文翁
「PEACE MAKER 鐵(17)」 黒乃奈々絵

リイド社

「鬼切丸伝(11)」 楠桂

ワニマガジン社

「ひとりぷれい」 火鳥

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2020-05-29 00:00:00Z
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映画「キングダム」続編製作!キャスト陣再集結&原泰久が脚本担当で物語は戦場へ(コメントあり) - ナタリー

Posted: 28 May 2020 05:10 PM PDT

映画「キングダム」続編製作!キャスト陣再集結&原泰久が脚本担当で物語は戦場へ(コメントあり) - ナタリー

403

原泰久原作による実写映画「キングダム」の続編製作が決定した。

原泰久による描き下ろしイラスト。(c)原泰久/集英社

原泰久による描き下ろしイラスト。(c)原泰久/集英社

大きなサイズで見る(全2件)

映画「キングダム」第1弾は2019年4月に封切られ、同年公開の邦画実写作品で興行収入1位の57.3億円を記録。第43回日本アカデミー賞ではえい政、漂役の吉沢亮が最優秀助演男優賞、楊端和役の長澤まさみが最優秀助演女優賞を獲得したほか、最優秀撮影賞、最優秀美術賞にも輝いた。

映画「キングダム」第1弾のビジュアル。(c)原泰久/集英社 (c)2019 映画「キングダム」製作委員会

映画「キングダム」第1弾のビジュアル。(c)原泰久/集英社 (c)2019 映画「キングダム」製作委員会

続編では前作に引き続き佐藤信介が監督を務め、吉沢のほか主人公・信役の山崎賢人、河了貂役の橋本環奈らキャスト陣が再集結。原も前作同様脚本を担当し、映画オリジナルのシーンやセリフも加えられる。

原は「王騎が信へ告げた『戦場で会いましょう』、まさにその世界をしっかりと描くことになりそうです。前作以上のスケールで、邦画史上に残る戦場とドラマを楽しんでもらえるのではないかと思います」とコメント。山崎は「本作では、いよいよ"信"が戦場に出ていくストーリーが展開されます。前作よりも成長した姿を皆さんにみていただけるように、そして、前作を超える面白い作品にできるように、キャスト・スタッフ一同頑張りますので、完成を楽しみにしていてください!!」、吉沢は「皆さんが期待している以上の最高の作品にしたい、とキャスト・スタッフ一同思っていますので、是非とも期待してお待ちください!」と意気込んだ。

なお本日5月29日の日本テレビ系「金曜ロードSHOW!」では、映画「キングダム」第1弾が地上波初放送される。

原泰久コメント

実写映画『キングダム』続編の製作が決定しました!
想像以上の多くの方に前作をご覧いただけたお陰で、続編へとつながりました。
本当にありがとうございます!!
今回も長~い脚本会議に関わらせていただいております。
王騎が信へ告げた「戦場で会いましょう」、まさにその世界をしっかりと描くことになりそうです。
前作以上のスケールで、邦画史上に残る戦場とドラマを楽しんでもらえるのではないかと思います。
公開はまだ先になりますが、どうか皆さん、楽しみに待っていていただけたら嬉しいです。

山崎賢人コメント

『キングダム』は前作の撮影が終わったときに"信"の気持ちと同じように僕の中でも「いよいよこれから物語が始まっていくんだ、まだまだこれからだ」と感じていた作品でした。
監督やキャストのみんなで「続編も撮れるといいね」と話していたので、続編が決まって本当に嬉しい気持ちです。
前作同様、今回も原先生が脚本に関わってくださっているので、いちキングダムファンとしても、映画に関わる役者としても、本当にワクワクするような、期待を裏切らない熱い脚本になっています。
本作では、いよいよ"信"が戦場に出ていくストーリーが展開されます。
前作よりも成長した姿を皆さんにみていただけるように、そして、前作を超える面白い作品にできるように、キャスト・スタッフ一同頑張りますので、完成を楽しみにしていてください!!

吉沢亮コメント

映画『キングダム』で"政"を演じるということは、僕の役者人生のターニングポイントになりました。
これからも"政"と一緒に、自身も成長していきたい、と思わせてくれた作品でしたし、前作の撮影中から続編をやりたいと、キャスト・スタッフみんなで話していたので、続編の製作が決定して台本を手にした時に、本当に実現したんだという嬉しさがありました。
今回も原先生が脚本に携わってくださっていることもあり、原作の世界観を壊さずに、本当に面白くて、熱くて、見ごたえのある物語になっています。
この作品を、どのような映像として届けられるのか、演じる我々も、今から本当に楽しみでワクワクしています。
皆さんが期待している以上の最高の作品にしたい、とキャスト・スタッフ一同思っていますので、是非とも期待してお待ちください!

※山崎賢人の崎は立つ崎(たつさき)、えい政のえいは上に亡、中に口、下左から月、女、迅のつくりが正式表記。

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2020-05-28 23:04:23Z
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オンライン「やついフェス」出演者第1弾でサニーデイ、Negicco、眉村ちあき、西寺郷太ら73組発表(コメントあり) - ナタリー

Posted: 28 May 2020 01:37 AM PDT

オンライン「やついフェス」出演者第1弾でサニーデイ、Negicco、眉村ちあき、西寺郷太ら73組発表(コメントあり) - ナタリー

6月20、21日に行われるやついいちろう(エレキコミック)主催の配信ライブイベント「ONLINE YATSUI FESTIVAL! 2020」の出演者第1弾が発表された。

「ONLINE YATSUI FESTIVAL! 2020」扉絵(アートディレクション:太田雄介 / イラストレーション:Ardneks Paraiso Graphica)

「ONLINE YATSUI FESTIVAL! 2020」扉絵(アートディレクション:太田雄介 / イラストレーション:Ardneks Paraiso Graphica)

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「ONLINE YATSUI FESTIVAL! 2020」は同日開催が予定されていたライブイベント「YATSUI FESTIVAL! 2020」の中止に伴い、使用予定だった会場から無観客ライブを複数のチャンネルで無料配信するオンラインイベント。このたび第1弾としてサニーデイ・サービスサンプラザ中野くん、西寺郷太(NONA REEVES)、Negicco川本真琴GOING UNDER GROUND眉村ちあきDE DE MOUSE空きっ腹に酒TENDOUJIGateballers水中、それは苦しいhy4_4yhワンダフルボーイズ、DJ KOOら73組の出演がアナウンスされた。

また「やついフェスキャンペーンガール」の募集も6月7日まで行われており、優勝者には曽我部恵一が書き下ろした楽曲が提供されることも明らかに。イベントのテーマソングも手がけた曽我部は「栄光あるやついフェス・キャンペーンガールにふさわしい名曲を作ります!」と意気込みをコメントしている。このほか有料開催の中止による損失補填、および配信イベント開催にあたっての経費の支援を募るクラウドファンディング企画も実施中で、新たなリターンも追加されている。

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ONLINE YATSUI FESTIVAL! 2020

配信日時:2020年6月20日(土)、6月21日(日)14:00~22:00(予定)
<出演者>
DJやついいちろう / エレ片(エレキコミック片桐仁) / エレキコミック / アナログタロウ / AFRO PARKER / 一徹&月野 / いとうせいこう / illiomote / 上杉周大 / ウエストランド / 岡江真一郎 / オジンオズボーン / おとといフライデー(小島みなみ紗倉まな) / 駆け抜けて軽トラ / 神谷明 / Calmera / 河邑ミク / 川本真琴 / 木下百花 / 奇妙礼太郎 / Groovy Rubbish / Gateballers / ゲッターズ飯田 / GOING UNDER GROUND / SAKURAI / サニーデイ・サービス / ザ・マミィ / Sundayカミデ / サンプラザ中野くん / 水中、それは苦しい / CYNHN / 杉作J太郎 / 空きっ腹に酒 / STARMARIE / ステレオガール / 曽我部恵一 / ゾフィー / ダイアモンド☆ユカイ / ツィンテル / DJ KOO / DJみそしるとMCごはん / DE DE MOUSE / テニスコート / TENDOUJI / 東京ホテイソン / 西恵利香 / 西寺郷太(NONA REEVES) / ニッチロー' / Negicco / 脳みそ夫 / パーツイシバ / hy4_4yh / Hi-Hi / ぱいぱいでか美 / 爆乳ヤンキー / 馬喰町バンド / X-GUN / Have a Nice Day! / パラシュート部隊 / ハンバーグ師匠 / b-flower / Foi / 眉村ちあき / marucolab / meme tokyo. / みるきーうぇい / ゆってぃ / ユリオカ超特Q / 吉田豪 / YONA YONA WEEKENDERS / ラブレターズザ・ギース / わらふぢなるお / ワンダフルボーイズ / and more

やついいちろう コメント

オンラインやついフェス!第一弾アーティスト発表です。やっとここまできました。いきなり73組です。バンドもアイドルも芸人も話し手もなんでもありの豪華な出演者の皆さんです。もうほとんど普通のフェスと変わらない出演者数です。
みんなオンラインやついフェス!のためのパフォーマンスをやってくれます。これで全部でも充分豪華ですが、ありがたい事に出演者はまだまだ増え続けています。状況を見てライブハウスなどを使い無観客ライブという形でもやるつもりです。これもうフェス以外のなにものでもないです。しかもフリー。自分でびっくりです。
その実現のためにクラウドファンディングに挑戦中です。お陰様で現在最初の目標の100%を超えました。支援してくれた皆さんありがとうございます!「これで無事開催だー!」と言いたいところなんですが、赤字は全く撃退できていないのが本当のところです。普通のやついフェスをお客さんなしで無料でやっている様なものなので、そりゃそうなんですよね。なのでネクストゴールを設定し、200%を目指して新しくスタートを切っています。今回また素敵な新しいリターン品も追加になりました。正直なところ今ドンドン決まっている事をやるには300%を超えないといけないと考えています。何かをすると必ずお金がかかりますね。出てくれる人達にも出来る限りの謝礼は払いたいし、撮影してくれるチームにももちろん、会場を使えば普通に箱代、結局同じくらいかかる。大変です。
でも楽しそうですよね?
それが全てですよね。
なので皆さん、楽しみにしていてください!
オンラインだからこそ参加できる方々がたくさんいることに気付けたのが、オンラインやついフェス!をやろうと決めてからの収穫でした。みんなで町内の祭りを作るみたいに、気軽に参加してみてください。それが気付けば世界で有名な祭りになるって事もあるかもしれません。

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2020-05-28 08:15:05Z
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Hong Kong is a 'pawn' in U.S.-China rivalry, says former diplomat - CNBC

Posted: 28 May 2020 01:08 AM PDT

Hong Kong Police raise the blue flag warning protesters, press and pedestrians to disperse during demonstrations against the national security law proposed by Beijing in the Causeway Bay district in Hong Kong on Sunday, May 24, 2020.

Tommy Walker | NurPhoto via Getty Images

Hong Kong has become a "pawn" in the escalating rivalry between the U.S. and China, said Kishore Mahbubani, a prominent Singaporean academic and former diplomat, on Thursday.

Mahbubani was speaking to CNBC before China's parliament approved the proposal to impose a new national security law in Hong Kong.

The U.S. and China have in recent days clashed over Beijing's plan for a new national security law in Hong Kong. Washington criticized Beijing's move for undermining Hong Kong's freedoms and autonomy, while Beijing accused Washington of interfering in its internal affairs. 

Hong Kong — a former British colony that returned to Chinese rule in 1997 — is a semi-autonomous Chinese territory with limited self-governing power. Under the "once country, two systems" policy, Hong Kong has a largely separate legal and economic framework from mainland China, and various freedoms including limited election rights.

The U.S. and China are sparring on several fronts: from a trade war to tensions over technology and the origins of the coronavirus pandemic. The Hong Kong dispute is just the latest salvo in an escalating war of words between the world's two largest economies.

Those developments have also sparked concerns about whether the U.S. and China could end up in a military conflict.

"There will be no all-out war between China and the U.S.," Mahbubani, a distinguish fellow at the National University of Singapore's Asia Research Institute, told CNBC's "Squawk Box Asia."

I think other countries have to be very, very careful because there can be proxy wars and that's what superpowers do, they use other people as pawns.

Kishore Mahbubani

former Singapore diplomat

"But at the same time, I think other countries have to be very, very careful because there can be proxy wars and that's what superpowers do, they use other people as pawns," he added. "So Hong Kong ... has now become a pawn in the geopolitical chessboard between United States and China."

Mahbubani spent 33 years as a Singapore diplomat before joining academia in 2004. Among the appointments that he held were the following: Singapore's ambassador to the United Nations and president of the UN Security Council.

'Geopolitical contest' continues

Beijing approved the national security bill for Hong Kong despite Washington's overnight declaration that the city is no longer autonomous from China. That move opens up the door for the U.S. to remove its special treatment of Hong Kong, and could lead to U.S. sanctions on Chinese officials.  

That's not the first time the two countries have sparred over Hong Kong, a former British colony that returned to Chinese rule in 1997. Last year, months of widespread pro-democracy protests in the city — a special administrative region of China — led the U.S. to enact two new laws to deter Beijing's influence and interference in Hong Kong.

Those clashes over the city, a major business and financial center, were part of a broader geopolitical contest between the U.S. and China. In the last two years, the conflict led the two countries to slap significant amounts of tariffs on each other — which became one of biggest threats to global economic growth before the coronavirus pandemic.

More recently, tensions between the two countries rose as they disagreed on the origins of the coronavirus which has infected around 5.7 million people globally and killed more than 355,000.

"The geopolitical contest will continue," said Mahbubani, adding that the U.S.-China rivalry is driven by "deep structural issues."

He explained that those issues include the fact that China is "the first non-western" power to emerge on the global stage and that the Asian economic giant is not a democratic country.

"The United States as a democracy finds it hard to accept a non-democracy like China could succeed," he added. "So, there are larger structural forces driving this geopolitical relationship."

— This report has been updated to reflect that since the article's publication, Beijing has approved the national security bill for Hong Kong.

Watch: What is Hong Kong's relationship with China?

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